The ancient Greeks used to make a wide variety of breads, as they considered it to be of great importance in their eating habits.

Wheat, considered a gift from the goddess Demeter, was highly valued by the Greeks, who particularly preferred the hulled varieties. Barley, however, thrived in larger regions of mainland Greece. The varieties of wheat and barley with hulls had to be dried to separate the grain before they could be ground. Most Greeks, however, even in areas where wheat cultivation was economically unprofitable, were fond of wheat bread.

Bread made from hulled barley and porridge formed the basis of the ancient Greeks’ diet. The bread was enriched with olive oil and flavored with herbs, spices or honey.

Athenian bread was renowned for its excellent quality and was a source of pride for the Athenians, who imported wheat as the soil of Attica was unsuitable for its cultivation. Thearion, an Athenian of the 5th century BCE, had the honor of being considered the inventor of bakery ovens, and probably of the first bakeries.

Plato mentions Thearion the baker as one of the three people who “were the best caretakers of the human body.” The other two were Mithaecus, a Sicilian, the first known cookbook writer, and Sarambus, a famous wine maker.

The ancient Greeks showed great ingenuity and skill in the art of baking. Athenaeus cites many serious studies on the subject and lists over seventy different types of bread.

Breads were distinguished according to the grain used in their preparation: wheat, rye, millet and spelt. The last three were used only out of necessity, as everyone preferred wheat.

There was bread made from various types of flour: white bread made from finely sifted flour, black bread made from wholemeal flour, which was healthier. Nevertheless, ancient Greeks preferred white bread, because they considered it more refined and better tasting.

Bread was leavened with or without yeast and could be differentiated according to the baking method: oven bread, bread baked on embers or in a pan over the fire into which they put a filling and then dipped it in wine. Delicious, if we believe the praises of the poets: “bread spread from embers, a soft and delightful combination.” Also, some baked the dough on a spit.

The various liquids, fats and spices added to the flour could vary the density and taste of the bread. Wine, milk, cheese and honey, separately or combined in some way, as liquids, oil, ghee or lard as fats, but also poppy seeds, sesame and linseed are most often mentioned as spices.

Finally, the bread would be filled with various types of cheese, raisins and other nuts, sweet or savory ingredients. The bread was often served as a plate, on which meat or fish was placed.

Bread history and stories

The staples of the ancient Greeks were bread, vegetables, cheese and olives. In the Mycenaean era, each house made its own bread and was equipped with its own hand-operated mill which turned wheat into flour.

Bread was kneaded and baked in homes, seasoned with sea salt for better taste.

In the Great Dionysia festivals, participants brought with them baskets containing wine, water and bread, which was needed for the sacrificial offerings. Ancient texts show that the Greeks offered bread to the gods, which they called the Gods’ Breads (Θειαγόνους Άρτους).

In the temple of Demeter in Eleusis, during the Thesmophoria feast, a large loaf of bread was offered to the goddess. The festival got its name Megalartia (meaning large bread) from the bread offering.

There was fierce competition among ancient Greek cities for which one produced the best bread. Athens boasted of Thearion, its best baker, whose name was found in the writings of many authors.

At weddings in ancient Macedonia, the bride’s parents cut the bread in two and the future husband tasted both portions. The custom was followed at the wedding of Alexander the Great to Roxane.

In ancient times, Cyprus was one of the granaries of the Greek world. According to Pliny, the wheat of Cyprus produced a famous brownish-yellow bread.

According to Diogenes Laertius, the smell of fresh, warm bread kept the wise man Democritus alive for three days so that his sister could take part in the Thesmophoria festival, in honor of Demeter. Thus, Democritus “hosted death in his house for three days and treated him to fresh, warm bread.”

Hippocrates mentions various types of bread made from wheat flour, sifted or not, with or without leaven, with bran, with bulgur, with honey and cheese, oil, poppy seeds and sesame seeds.

In the German Bread Museum in the city of Ulm, the most beautiful exhibits are four Greek figurines with female figures from the 5th century BCE, originating from Boeotia. The figurines depict the grinding of wheat in a mortar, the shaping of dough, the baking of bread, and the loaves ready for sale and eating.

In Rome, bread became popular and in 500 BCE, when the well-off Romans insisted on expensive white bread. Bread also played an important role in Roman weddings. In ancient Roman wedding ceremonies, the two families that were joining ate bread together.

Types of ancient Greek breads

There were at least 72 types of ancient Greek breads, named after the added ingredients used or the kneading, preparation method or baking procedure. Several of them are still made today in slight variations.

Alifatitis (Αλιφατίτης): a well-known bread made with added oil. It also contained animal fats. Similar to today’s puff pastry made with butter, a bread recipe of the ancient Greeks according to Larousse Gastronomique encyclopedia.

Artolaganon or laganon (Αρτολάγανον or λάγανον): a flavored bread with the dough rolled out thinly like a small pita and fried in oil. Artolaganon was the ancestor of today’s lagana which Greeks eat on Clean Monday. It was made with good quality flour.

Atabyritis (Αταβυρίτης): a round-shaped bread of the ancient Greeks that had a lot of crumb, and was particularly nutritious and fattening.

Vlomiaios bread (Βλωμιαίος άρτος): a ​​bread with notches to make it easier to divide into pieces. Vlomiaios bread was usually octavlomos, that is, divided into eight pieces (vlomos: a small piece of bread).

Egrides (Εγκρίδες): made with soft dough like pancakes that was dipped in oil and honey.

Thridakini (Θριδακίνη): bread with the dough mixed with wild lettuce.

Plytos or Vasinias (Πλυτός or Βασυνίας): boiled bread. When boiled, it floats in the water. It is made in Crete (boiled buns) and is the ancestor of the Jewish bagel. There are mentions  of this bread offering to goddess Iris on Delos island.

Krivanitis (Κριβανίτης): bread baked in a krivanos, that is, in a mobile clay oven.

Obelias (Οβελίας): it got this name because it was baked in special molds, the “obelisks” (spits) and because it was sold for an obol (όβολο), a small value coin.

Chondritis (Χονδρίτης): bread made from coarsely ground cereals.

Paxamas (Παξαμάς): a type of hard rusk. The name belongs to the baker (Paxamos) who had introduced it. The rusk was baked twice.

Plakountas (Πλακοῦς): was a sweet that had similarities to the modern cheesecake-type dessert. The sweet consisted of several layers of dough filled with honey and soft cheese. Its main ingredients were flour, cheese and honey. The dough of the plakountas was enriched with milk, fat, herbs and spices.

Pyritis bread (Πυρίτης): hulled wheat bread, from the ancient Greek word πυρός meaning the heart of the wheat seed.

Streptikios (Στρεπτίκιος): bread kneaded with milk, oil and honey. It was prepared by twisting the dough with the shape of the Easter tsoureki.

Hairstyles in Ancient Greece were one of the most significant identifiers of individuals, as they denoted social status and strength. They were also tied to rites of passage and religious rituals.

The hair on one’s head was so particularly valuable to ancient Greeks that it was worthy of its own unique term, being referred to as the kόme (κόμη), and people of the time meticulously cared for it, as they believed it was pivotal to one’s personality and reflected an individual’s social beliefs.

Hairstyles were an essential means of expressing one’s identity. The length and texture—long or short with loose waves or tight curls—was distinctively Greek and contrasted sharply with portrayals of non-Greeks. They were important in that they were a way for people to recognize each other and communicate their place within society.

Hair rituals, such as growing and cutting hair for the purpose of honoring deities, were complex and multi-layered. They needed to account for family status, gender, age, social class, transition points, and cult practices, as well as associations and organizations to which one belonged.

Heroes such as Achilles and Menelaus were portrayed by Homer with blond hair (xanthos), leading many men to lighten their own hair in an effort to resemble them.  To do so, they relied on soaps and alkaline bleaches imported from Phoenicia. Some dyed their hair with a mixture of apple-scented yellow flowers and pollen, potassium salts, and even gold powder.

However, in Homeric and Classical Greek, xanthos (Greek: ξανθός) referred to light-colored hair more broadly and did not exclusively mean “blonde” in the modern Northern European sense. Its meaning was more flexible, often encompassing shades like golden, reddish-gold, or light brown.

Hairstyle depictions in sculptures and paintings

Much of what we know about hairstyles in Ancient Greece stems from depictions of literary works and art, such as sculptures, paintings, amphorae, and other types of vessels. In general, women are nearly always presented with long hair. Slave women, on the other hand, had short hair for hygienic reasons as well as to allow others to socially discriminate between them.

Warriors on amphorae are typically portrayed with pointed beards and long hair while their squires are usually beardless with long, curly hair, and lyre-players have long hair tied back in a bun with a hairband. In a bronze statuette of Apollo, adult men are pictured with beards and somewhat long hair whereas the younger men have no facial hair at all. What marked barbarians, on the other hand, was a moustache with no beard.

Generally speaking, there was a gradual change of style in depictions of men on sculptures and vases from more elaborate to simpler ones. On the other hand, women appeared in works of art donning a variety of ornamental kerchiefs, including pretty bands such as a type of sling known as the “sphendone” (σφενδόνη) due to its shape. A large stamnos, a type of large vase used for serving and storing liquids, depicts groups of women dressed in Ionic and Doric chitons (types of Greek tunics) with various sorts of headdresses.

In literature, the oldest accounts of hairstyles in Ancient Greece are to be found in the works of Homer in which one encounters the dedicating of hair to deities and the dead for the first time ever. This further attests to the importance ancient Greeks placed on hair. In Homer’s Iliad, Book 23, Achilles dedicates his hair to his dead friend Patroclus, for example, in an act that symbolizes his grief for his best friend who has passed away as well as his devotion to their friendship.

Ancient Greek hairstyles through the centuries

Paintings in the palaces and pottery of the Minoan period (c. 3000 and 1100 BC) show dancers with shoulder-length black hair. In Aegean art, men are depicted with single or double plaits, and Homer’s heroes (c. 800 BC) had such hairstyles, as well, as did warriors at the battle of Marathon (490 BC).

The most common hair adornment for women was a type of hairnet or coif made of net work known as a “kekryphalos” in Greek—otherwise also called a caul or “coif of network.” It was worn during the day and at night through to the Classical Period, and Homer made mention of these hairnets, which were frequently made of gold threads or silk, as Pausanias writes.

Overall, during the Archaic Period (c. 1100 to 480 BC), the kouros, the free-standing statues depicting male youth, had long, finely braided, shoulder-length hair at the very least. The maidens (kόre) had numerous braids and oftentimes also donned a coronet. Towards the end of the particular period, women were portrayed with their hair tied back and into a bun, known as the “knidian hairstyle,” named after the Knidian Aphrodite, a statue by Praxiteles of the 4th century BC.

It was in the mid-5th century BC when males began appearing with shorter hair in Greek artwork, and at the beginning of the Classical Period (c. 480 to 323 BC), they were shown with short, neatly trimmed hair. Modern historians attribute the trend towards shorter hairstyles in Ancient Greece to the rising popularity of sports, as athletes had to have their ears free and their hair fixed in place, possibly with hair oil. A good example is the famous Discobolus statue by Myron (c. 460-450 BC).

Alexander the Great’s appearance—clean-shaven (unlike his father) with wind-swept locks combed back from a central part—was a tribute to the importance of youth and was subsequently adopted by other Greek kings. None of his Diadochi appeared with a beard on coinage, statues, or works of art. After Alexander the Great, it became typical for rulers to refrain from having facial hair for several centuries. This was also true of Roman emperors.

In the Archaeological Museum of Amfissa, over eight hundred miniature figurines of 3rd and 2nd century BC females are exhibited. Their hairstyles are particularly interesting, as bronze and golden spirals were used for fastening and decorating the hair. During the Hellenistic period, hairstyles became quite complex, and some of these can be seen on the figurines as well. Knidian hairdressing continued to be especially popular, but from 250 BC onwards, small curls were left hanging unfastened around the nape of the neck.

Hair rituals of the ancient Greeks

In archaic times, the ancient Greeks wore their hair long and were thus consistently referred to as long-and-thick-haired Achaeans (Greek: καρηκομόωντες Ἀχαιοί) in Homer’s works. This was a hairstyling practice that was adopted and preserved by the Spartans for centuries.

Plutarch writes that Spartan boys had their hair trimmed quite short. As soon as they reached puberty, however, they let it grow out. The men were particularly proud of their hair, as they deemed it the most affordable of body adornments and consistently took the time to properly care for it prior to going into battle. Both Spartan men and women tied their hair back in a knot over the crown of the head. Brides even shaved their heads and wore men’s costumes as part of the ceremony.

In rival Athens, the boys wore their hair long throughout childhood and had it cut off when they reached puberty. The cutting off of teenager’s hair was a solemn act honored through religious ceremonies. A libation (oinisteria) was initially offered to Hercules, and the hair was dedicated to a deity of choice afterwards. Plutarch writes that Theseus went through the ceremony at Delphi.

Prior to marriage, Delian girls and boys cut their hair in honor of the Hyperborean maidens who died at Delos and laid it on their tombs. A bride would cut her hair on the day of the wedding ceremony as a symbol of submission to her husband and offer it to the goddess Artemis or Athena. She would then pull her remaining her up in a knot. Following the ceremony, the bride wore a crown and special wedding veil. If she happened to be unfaithful to her husband, he would then shave her head, turning her into a social outcast.

A variety of hairstyles in Ancient Greece

The great variety of hairstyles in Ancient Greece makes it difficult to pinpoint the exact period during which each of the hairdos was popular, and there were a number of unique styles as well. Among these was the “melon-like” hairstyle, or the “peponoeidis,” thus named because of what resembled deep parallel grooves akin to those of a melon. Women often left their curls hanging freely around the forehead in the shape of knots or bell clappers in what was known as the “tettix.” Yet another hairdo was the “lambadion,” a type of bun with loose ends which conjured up images of torch flames or horse’s tail.

During the Hellenistic period, hairstyles became more sophisticated and complex. However, the most impressive hairstyle of the time was the knot of Heracles (herakleion amma), associated with good fortune and love. The hair was brushed forward to form a kind of bow or butterfly.

Headbands, diadems, coronets, headscarves, and clips or loops were used in creating the various styles for women, and hair additions and wigs were not uncommon. Garlands of fruit and ivy leaves, mainly from the plant of immortality, the elichryson, which was believed to bring serenity, were also incorporated into hairstyling trends.

Later on, in Roman times, hairstyles became extremely complex and pretentious and were named after the empress or specific woman of nobility who set the trend.

Several of the most influential Greek philosophers and thinkers are portrayed in Raphael’s masterpiece the School of Athens, which adorns the Apostolic Palace in the Vatican.

Painted between 1509 and 1511, it portrays a congregation of philosophers, mathematicians, and scientists from Ancient Greece, including Plato and Aristotle. But did you know that, in addition to the two philosophers in the center of the painting, there are six more “hiding”?

In his work, Raphael desired to pay his deepest tribute to the greatest philosophers in history, several of whom had tried throughout their lives to discover the prime mover, or cause, in the universe, a branch of thought known as the “knowledge of the first causes.”

It also shows sculptures of the Greek gods Athena, portrayed as the Roman goddess Minerva, representing Wisdom, and Apollo, representing Light and Music, in a direct nod to the greatness of Greek mythology and its contributions to the Western world. In short, Raphael’s painting is the Who’s Who of ancient Greek culture.

Who are the ancient Greek philosophers in Raphael’s painting?

Plato and Aristotle

The two main figures in the work are placed directly under the archway and in the fresco’s vanishing point, a compositional trick meant to draw the viewer’s eye to the most important part of the painting. Here, we see two men who effectively represent the different schools of philosophy—Plato and Aristotle.

An elderly Plato stands on the left, pointing his finger to the sky. Beside him is his student, Aristotle. In a display of superb foreshortening, Aristotle reaches his right arm directly out toward the viewer. Each man holds a copy of their books in their left hand—Timaeus for Plato and Nicomachean Ethics for Aristotle.

Socrates, the founder of Western philosophy

To the left of Plato, Socrates is recognizable thanks to his distinct features. It is said that Raphael was able to use an ancient portrait bust of the philosopher as his guide.

Among the crowd surrounding Socrates are his students, including the general Alcibiades and Aeschines of Sphettus.

Socrates is credited as the founder of Western philosophy and was among the first moral philosophers of the ethical tradition of thought.

Pythagoras, the theorist of metempsychosis

In the foreground, Pythagoras sits with a book and an inkwell, also surrounded by students.

The influence of Pythagoras in mathematics and philosophy remains indisputable to this day. His philosophy influenced both Plato and Aristotle, and through them, his ideas became fundamental to Western philosophy.

The teaching most securely identified with Pythagoras is metempsychosis, or the “transmigration of souls,” which holds that every soul is immortal and, upon death, enters into a new body.

Euclid, the father of geometry

Mirroring Pythagoras’ position on the other side, Euclid, considered the “father of geometry,” is bent over demonstrating something with a compass. His young students eagerly try to grasp the lessons he’s teaching them.

Euclid is chiefly known for the Elements treatise, which established the foundations of geometry that largely dominated the field until the early 19th century.

Ptolemy, the great mathematician and astronomer

The great mathematician and astronomer Ptolemy is right next to Euclid, with his back to the viewer. Wearing a yellow robe, he holds a terrestrial globe in his hand. It is believed that the bearded man standing in front of him holding a celestial globe is the astronomer Zoroaster.

Ptolemy wrote about a dozen scientific treatises, some of which were of importance to later Byzantine, Islamic, and Western European science.

Diogenes: The ancient Greek philosopher of cynicism

Diogenes was the founder of the philosophy of Cynicism and was a controversial figure in his day, living a simple life and criticizing cultural conventions.

Diogenes the Cynic (also known as Diogenes of Sinope) could have been the first anarchist, absurdist, satirist, or naturalist—depending on the reader’s point of view. By today’s standards, Diogenes was a homeless man by choice, and his life goal was the search for wisdom.

Heraclitus: The Greek philosopher of wisdom

Heraclitus was an ancient Greek pre-Socratic philosopher from the city of Ephesus, then part of the Persian Empire. He saw the world as constantly in flux, changing as it remained the same, and expressed this in saying, “No man ever steps in the same river twice.”

He was a self-taught pioneer of wisdom and a melancholy character who did not enjoy the company of others, making him one of the few isolated characters in the fresco.

The Greek queen of Egypt Cleopatra is associated with a very public love affair with Roman leader Julius Caesar apart from her glamorous beauty routines, deadly snake bites, and lavish banquets. But their “situationship” was complex, according to two historians.

By Charlotte Dunn and Jayne Knight

This doomed romance ended abruptly in 44 BC when Caesar was quite literally stabbed in the back (and from all sides) by his enemies in Rome. And she pretty soon hooked up with one of his closest allies.

When Caesar met Cleopatra, he was 52 and had a wife back in Rome. But something about the 21-year-old Cleopatra caught his eye.

Perhaps it was her charming banter and impressive mind. The ancient author Plutarch reports Cleopatra was an irresistible conversation partner, and fluent in nine languages.

Things really got started when Caesar got involved in a family feud involving Cleopatra and her royal relatives.

Cleopatra came from a long line of dramatic and ruthless kings and queens, which we now call the Ptolemies.

The Ptolemies had ruled Egypt since about 305 or 304 BC. They didn’t always get along but they were very close. As in, genetically close.

The Ptolemies had practiced brother-sister marriages (and other in-the-family marriages as well) for several generations.

According to this tradition, Cleopatra was probably married to her ten-year-old brother Ptolemy XIII when their father died and they became co-rulers of Egypt.

Cleopatra pursued Julius Caesar

So in pursuing Caesar, you might say Cleopatra was going against the family trend by dating outside her siblings.

Cleopatra’s union with her little brother was not a happy one: the young Ptolemy, alongside his advisors, had managed to run Cleopatra out of Egypt, wanting to rule the kingdom without her interfering.

While Cleopatra was busy raising an army to reclaim her place on the throne, Caesar arrived at the royal palace at Alexandria in 48 BC.

Caesar had his own political woes. He was in the middle of a civil war and was pursuing his rival Gnaeus Pompey (also known as Pompey the Great) after defeating his army in Greece.

Ptolemy, completely misreading the situation, greeted Caesar with a gruesome and unexpected gift: Pompey’s severed head.

Outraged and disgusted, Caesar demanded Cleopatra and her brother reconcile, but Cleopatra had other plans.

Plutarch says she hid herself in a bed sack and got smuggled into the palace to meet and charm Caesar.

Was it true love?

The young Cleopatra was ambitious, and there’s no denying a connection with Caesar was politically advantageous.

Caesar also had plenty of other affairs, including one with another queen, Eunoë of Mauretania.

But there may well have been a true connection with Cleopatra. Caesar, after all, was also very well educated and ruthlessly ambitious, and the ancient author Suetonius states Cleopatra was Caesar’s most passionate love affair.

But whatever sparks flew, Cleopatra couldn’t fully escape her family responsibilities.

Caesar put her back on the throne but arranged for her to marry her youngest brother, Ptolemy XIV after her previous brother-husband (Ptolemy XIII) drowned.

Nothing spells romance like your lover ordering you to marry your 12-year-old brother, but Cleopatra needed Caesar’s help to secure her position on the throne.

Being older and ambitious, she seemingly had no trouble taking the lead in running their kingdom, pushing Ptolemy XIV to one side.

Cleopatra and Julius Caesar take a luxurious cruise down the Nile

Some sources say Cleopatra and Caesar celebrated their success at smoothing things over in Alexandria by taking a luxurious cruise down the Nile, accompanied by 400 ships.

This promoted their partnership and alliance, and by this time there was something else to celebrate: Cleopatra was pregnant with Caesar’s son, something she wanted to advertise as the future of her dynasty.

Cleopatra and Caesar’s son was nicknamed Caesarion, meaning “little Caesar”, although he is also known as Ptolemy Caesar or Ptolemy XV.

Caesarion’s existence was a bit of a problem. Caesar probably acknowledged the boy as his son, but Roman law did not, because Roman men were not allowed to marry foreign women.

There was also of course the matter that Caesar was still married at the time, to a Roman woman named Calpurnia.

The fiercely republican Romans of this era did not have much love for monarchy, and Caesar’s dalliance with Cleopatra probably made his fellow Romans even more suspicious about his own grand plans.

When in Rome

Despite many Romans disapproving of the relationship, the Egyptian queen spent about 18 months living on Caesar’s estate in Rome.

While there, Caesar seems to have done nothing to dispel the rumours about his situationship with Cleopatra, and he may have even dedicated a golden statue of Cleopatra as Venus in the temple of Venus Genetrix.

The famous orator Cicero was not impressed, writing in a letter to a friend “reginam odi” or “I hate the queen.”

After Caesar’s assassination, Cleopatra returned to Egypt.

But she soon began a love affair with Marc Antony, Caesar’s right-hand man and would-be successor to his power, if 19-year-old Octavian (who would eventually become the first emperor Augustus) had not been named heir in Caesar’s will.

Antony and Cleopatra’s relationship flourished but ended in tragedy when Octavian’s political rivalry with Antony intensified, and Octavian used their relationship as fuel for anti-Antony propaganda.

The lovers were eventually pursued and defeated by Octavian’s forces. Both took their own lives – he stabbed himself with a sword and she, according to one version of the tale, by compelling a snake to bite her.

Charlotte Dunn is a Lecturer in Classics, the University of Tasmania

Jayne Knight is a Senior Lecturer in Classics, the University of Tasmania

The article was published in The Conversation and is republished under a Creative Commons License

Ancient Greeks held deep respect and affection for animals, believing they possessed reason, intelligence, and emotion, even as they hunted and sacrificed them to the gods. Greek literature and philosophy reveal a culture that viewed animals not merely as property but as living beings connected to humanity through thought, feeling, and shared experience.

Among the ancient thinkers who reflected most passionately on the treatment of animals was the historian Plutarch, whose writings remain among the strongest defenses of animals in the ancient world. Long before modern debates over animal welfare emerged, Plutarch argued that animals possessed intelligence and emotion and that cruelty toward them degraded the human soul itself. His ideas did not exist in isolation. Rather, they grew out of a broader Greek tradition in which animals occupied an honored place in religion, philosophy, daily life, and even familial affection.

The Ancient Greeks lived closely alongside animals in nearly every aspect of life. Dogs guarded homes and accompanied hunters, while horses symbolized nobility and courage. Birds were kept for pleasure, and cats, although less common than in Egypt, were sometimes used to control pests. Greek children played with pets, and wealthy households often treated favored animals as cherished members of the family.

Pet tombstones reveal Ancient Greeks loved their animals

Archaeological discoveries confirm the deep emotional attachment Ancient Greeks felt toward their pets. Tombstones dedicated to dogs, horses, and birds have been uncovered throughout the Greek world, and some inscriptions mourn animals with the same tenderness reserved for human relatives. One epitaph for a dog named Parthenope expresses grief in deeply personal language, demonstrating that the death of a beloved pet could inspire genuine sorrow. Greeks occasionally buried pets beside their owners or placed them in carefully prepared graves filled with offerings and decorations. These burials suggest that companionship with animals was not merely practical but also emotional and spiritual.

This affection appears vividly in Greek literature. In the Odyssey, the old dog Argos waits faithfully for Odysseus for twenty years. When Odysseus finally returns home in disguise, Argos recognizes him immediately before dying. The scene is brief yet unforgettable because Homer portrays the dog as capable of loyalty, memory, and emotional recognition. The moment suggests that Ancient Greeks understood animals as creatures capable of deep attachment.

Greek mythology likewise reflected admiration for animals. The owl symbolized wisdom through its association with Athena, while dolphins were regarded as intelligent and sacred creatures connected to Apollo and Poseidon. Horses were honored in myths surrounding heroic figures such as Achilles. Even the gods themselves frequently appeared in animal form, suggesting a sacred bond between humanity, divine power, and the natural world. One of the most famous examples is Zeus transforming himself into a magnificent white bull to carry away Europa.

Greek philosophers on animals

The philosophical discussion of animals became especially significant among thinkers associated with Pythagoras. Pythagoras himself believed souls could migrate between humans and animals through reincarnation. Because of this belief, he discouraged the eating of meat and taught respect for all living creatures. According to ancient tradition, he once intervened to stop a man from beating a dog, claiming he recognized the voice of a deceased friend within the animal.

Pythagoras was firmly opposed to killing “living creatures,” abstaining from what ancient sources describe as “harsh-sounding bloodshed,” including animal sacrifice, and reportedly “never eating meat.” In this sense, he is often regarded as the first Greek vegetarian. None of his original writings survive today, but his ideas are known through later authors such as Philolaus, Iamblichus, Ovid, and Plutarch.

Across these accounts, it becomes clear that Pythagoras was believed to hold that animals possessed a soul. As attributed in Ovid’s writings, “Animals share with us the privilege of having a soul,” a sentiment associated with Pythagorean teaching and vegetarian practice.

The Greek philosopher Empedocles, himself influenced by Pythagorean thought, later expanded these ideas by arguing that all living beings share kinship. He condemned the killing of animals and viewed both violence toward them and their consumption as morally corrupting. He even described animal sacrifice as a form of injustice, regardless of its religious purpose. Tradition holds that he once crafted an ox out of barley meal and perfumes as an offering to the gods in place of a real animal. Such ideas were radical in a society where animal sacrifice remained central to religious life, yet they demonstrate that compassion toward animals already held a respected place in Greek philosophical thought.

Plutarch: the first animal rights advocate

No ancient writer expressed these ideas more forcefully than the biographer Plutarch. Living during the 1st and early 2nd centuries AD, Plutarch wrote essays that challenged widely held assumptions about human superiority. In works such as “On the Eating of Flesh and Whether Land Animals Are Cleverer Than Sea Animals,” he argued that animals possessed intelligence, emotion, and reasoning ability.

Plutarch was troubled not only by cruelty toward animals itself but also by the indifference people showed toward suffering. One of his most cited passages asks readers to confront the moral shock of eating flesh: “I for my part do much admire in what humor, with what soul or reason, the first man with his mouth touched slaughter.”

This was not merely a dietary critique. Plutarch believed that violence toward animals corroded human morality. In his view, cruelty was a habit that extended outward. Societies accustomed to bloodshed against animals risked becoming desensitized to violence more broadly.He also rejected the idea that animals lacked intelligence. Plutarch insisted that animals possessed perception, memory, emotion, and understanding. In one striking passage, he describes them as beings capable of thought and awareness: “Each animal hath received from Nature…imagination, and intellection.”

For Plutarch, this recognition carried clear ethical implications. He criticized those who treated living creatures as mere objects of pleasure or luxury. In another memorable line, he writes: “But for the sake of some little mouthful of flesh, we deprive a soul of the sun and light.” Such language is striking because it attributes something close to personhood to animals. Plutarch ultimately presents them not as mindless beings but as fellow participants in the shared experience of life itself.

Ancient Greek philosopher Aristotle finds similarities between behavior of humans and animals

Other Ancient Greek thinkers also recognized forms of intelligence in animals. Aristotle, though less compassionate than Plutarch, studied animals extensively and acknowledged notable similarities between animal and human behavior. In his biological works, he observed memory, communication, and social organization across a wide range of species. Theophrastus, Aristotle’s successor, went even further, arguing that animals could reason and experience pain in ways comparable to humans. He opposed unnecessary slaughter, maintaining that humans and animals share a natural kinship.

Respect for animals in the Ancient Greek world also appeared in religious practice. Certain animals were considered sacred to specific gods, and in some sanctuaries, their killing was forbidden. Festivals at times honored animals alongside deities, while myths frequently portrayed them as wise guides, loyal companions, or messengers of divine will.

Yet the Greek attitude toward animals was never entirely uniform. The same society that mourned pets and admired dolphins also engaged in hunting and animal sacrifice. Oxen plowed fields, horses served in warfare, and livestock provided food. Ancient Greek culture therefore contained an ongoing tension between the practical use of animals and a genuine admiration for them.

This contradiction is what makes Plutarch particularly significant. Rather than accepting cruelty as inevitable, he challenged prevailing norms directly. He questioned whether intelligence, emotion, and the capacity to suffer should carry moral weight. In many ways, his writings anticipate modern discussions of animal consciousness and ethical responsibility.

Plutarch’s insistence that animals possess intelligence and feeling ultimately challenged assumptions of human superiority. He argued that kindness toward animals was inseparable from human virtue itself. To harm innocent creatures unnecessarily was, in his view, to diminish one’s own humanity.

Researchers working at the ancient Greek city of Termessos (Greek: Τερμησσός) in modern-day Turkey have identified two Greek inscriptions that are shedding new light on the city’s political identity and ritual life in antiquity.

Located in the mountains of ancient Pisidia near modern Antalya, Termessos was part of the wider Greek world that emerged across Anatolia during the Hellenistic period. Perched more than 1,000 meters (aprox. 3,000 ft) above sea level, the city is renowned for its dramatic landscape, well-preserved ruins, and long association with Alexander the Great.

The discoveries were made during ongoing studies at the site inside Güllük Mountain National Park, one of the eastern Mediterranean’s most striking archaeological landscapes.

Inscription proclaims civic independence

Researchers identified one inscription on a heavily weathered section near a collapsed city gate. They made the text readable using digital modeling and modern documentation techniques.

According to researchers, the inscription contains a phrase that may be translated as: “May the rights of the independent Termessians endure forever.”

Prof. Dr. Mustafa Koçak of Antalya Bilim University, director of the excavation, explained that the inscription once stood at the entrance of the city, where it announced Termessos’ status to visitors entering the settlement.

The message is particularly significant because of the city’s famous encounter with Alexander the Great. Ancient sources record that Alexander failed to capture Termessos in 333 BC during his campaign through Anatolia. The episode helped establish the city’s reputation as a formidable mountain stronghold.

The newly deciphered text provides rare written evidence of how the people of Termessos understood their own civic identity and autonomy. Placed at the city gate, the inscription served not only as a marker of entry but also as a public statement of political identity.

Oracle reveals ancient divination practices

Researchers also identified a second inscription linked to divination using astragali, small ankle bones typically taken from sheep or goats. In antiquity, these bones were thrown like dice to seek guidance from the gods, a practice widely known throughout the Greek world.

Prof. Dr. Fatih Onur of Akdeniz University’s Department of Ancient Languages and Cultures explained that such systems used either five or seven bones. The Termessos inscription belongs to the seven-bone system, which produced 120 possible combinations. The resulting numbers directed users to specific written responses.

Three inscription blocks of this type have survived, and one remains visible at the site today. Researchers believe travelers and merchants may have consulted the oracle before journeys, trade, or other important decisions.

According to Onur, the responses were written in poetic language, suggesting that the texts were intended for ritual use rather than simple instruction.

New insight into life at Termessos

Together, the inscriptions offer a rare glimpse into both public and private life in ancient Termessos. One reflects the city’s civic identity and independence, while the other reveals how people sought divine guidance in everyday life.

For archaeologists, the discoveries deepen understanding of a city that stood at the crossroads of local Pisidian traditions and the broader Greek and Hellenistic world that shaped the eastern Mediterranean for centuries.

Αntyllus, one of antiquity’s most skilled and innovative surgeons, was an ancient Greek physician active in Rome around 150 AD. Though influenced by earlier Greek medical traditions, he broke from the conservative models of physicians such as Hippocrates and Galen and introduced practical surgical procedures, especially for vascular conditions. These shaped medicine for centuries.

Beyond aneurysms: A versatile surgeon

Antyllus is best known for designing the first effective surgical treatment for aneurysms. While earlier physicians feared vascular surgery, Antyllus embraced it with precision.
He classified aneurysms into traumatic and spontaneous types. His method involved tying off the artery both above and below the swollen vessel. Then, he excised the aneurysmal sac.

This direct approach represented a major advancement. It became the standard procedure for aneurysm treatment and remained in use until the 19th century. Unlike Galen, who emphasized theory, Antyllus prioritized anatomical understanding through practice. He accepted surgical risks others avoided, setting the foundation for vascular surgery.

Antyllus’s contributions extended beyond arteries. He developed surgical techniques for the abdomen, eyes, bones, joints, and breasts. He was also a pioneer in plastic surgery.
His reconstructive operations addressed eyelids, ears, noses, and cheeks. In trauma cases or for cosmetic repair, no one could match his precision.

To control bleeding during operations, Antyllus used cauterization. He also performed early tracheotomies, a high-risk but potentially life-saving procedure.

Oribasius, a later Greek physician, reported that Αntyllus wouldn’t operate on exceptionally large aneurysms due to high risk. For more manageable aneurysms in the limbs and head, Antyllus applied ligatures to the arteries entering and leaving the aneurysm. He then incised the sac, evacuated its contents, and packed the cavity.

Legacy and transmission of Antyllus’ aneurysm technique

Most importantly, Antyllus did not resect the aneurysm sac. He warned against excising the dilated section between ligatures, stating:

“Those who tie the artery, as I advise, at each extremity, but amputate the intervening dilated part, perform a dangerous operation. The violent tension of the arterial pneuma often displaces the ligatures.”

Oribasius also preserved one of the earliest known classifications of aneurysms into true and false types. Specifically, he said:

“There are two types of aneurysms: the first is due to dilatation of the arteries and the second is caused by rupture of the artery emptying blood into the tissues. When an aneurysm is due to dilatation, the form is cylindrical, while the one caused by injury is round.”

Aetius of Amida was a 7th century physician. In his work “On the Dilatation of the Vessels,” he described in detail a surgery likely based on Antyllus’ method:

“An aneurysm located in the bend of the elbow is treated thus. First we carefully trace the artery leading to it, from armpit to elbow, along the inside of the upper arm. Then we make an incision on the inside of the arm, three or four finger-breadths below the armpit, where the artery is felt most easily. We gradually expose the blood vessel and, when it can be lifted free with a hook, we tie it off with two firm ligatures and divide it between them. We fill the wound with incense and lint dressing, then apply a bandage. Next we open the aneurysm itself and no longer need fear bleeding. We remove the blood clots present, and seek the artery which brought the blood. Once found, it is lifted free with the hook, and tied as before.”

Preventative medicine and physical health

Antyllus believed health required daily effort and discipline. He championed preventative medicine alongside surgical skill. For instance, he prescribed exercise regimens that included structured vocal routines. One of his most distinctive practices was vociferation, a method of controlled, loud vocalizing.

He recommended reciting memorized poetry at various volumes while walking and believed deep tones helped expand the trachea and chest, strengthening respiratory health. This practice combined breath control, posture, and movement in a holistic approach to physical well-being.

Before such vocal workouts, Antyllus suggested preparation consisting of massage, bowel evacuation, and a cold sponge bath. These details reflected his methodical attention to physiology.

While Hippocrates emphasized prognosis and symptom observation, he likely saw aneurysms but avoided surgical intervention. Moreover, Galen offered greater anatomical theory, drawn from animal dissection but still steered clear of artery operations.

Antyllus surpassed both in operative practice. Whereas Hippocrates and Galen used caution, Antyllus applied bold innovation grounded in anatomy. His hands-on techniques proved enduring. Byzantine and Islamic medical texts preserved his methods, which reached medieval Europe through translation.

Legacy of a Forgotten Surgeon

Despite the historical focus on Hippocrates and Galen, Αntyllus, the Greek physician, remains a towering figure in the evolution of medicine, uniting theory with surgical practice. His aneurysm procedure became standard practice for over 1,500 years. Antyllus developed detailed and replicable techniques in plastic and general surgery.

Αntyllus’s advocacy for preventative care—including vocal and physical training—also marks him as an early holistic health thinker. To say the least, he deserves recognition as the first true vascular surgeon of antiquity, as his skill, anatomical knowledge, and forward-thinking philosophy left a lasting imprint on medical history.

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Ancient Greeks made some of the most impressive astronomical discoveries in history, including Eratosthenes’ calculation of the circumference of the Earth.

It wasn’t until the mid-20th century that we managed to launch satellites into space and determine the exact kilometers of the circumference of the Earth: 40,030.2 kilometers.

But how, then, could the ancient Greek mathematician, Eratosthenes, manage to find pretty much the exact same number without having any pictures of Earth from space or even proper measuring tools?

Amazingly, Eratosthenes didn’t have much more than a stick and his brain when he made the amazing discovery.

How Eratosthenes discovered the circumference of the Earth

Born in Cyrene, an ancient Greek colony in modern-day Libya in 276 BC, Eratosthenes was a polymath, meaning that he had vast knowledge of many different subjects, including mathematics, astronomy, music theory, and poetry.

Over two thousand years ago, Eratosthenes heard that in Syene, a town south of Alexandria in Egypt, no vertical shadows were cast at noon on the summer solstice, as the sun was directly overhead.

The Greek mathematician wondered if this was the case in Alexandria, too, a few hundreds of miles to the north of Syene.

He decided to conduct an experiment. On June 21st, he went to Alexandria and put a stick directly in the ground and waited to see if a shadow would be cast at noon.

It turns out there was one, and he tried to measure it. The shadow cast measured to about seven degrees.

After conducting the experiment, Eratosthenes came to a very logical conclusion that if the sun’s rays are coming in at the same angle at the same time of day and a stick in Alexandria casts a shadow of seven degrees while the stick in Syene does not cast a shadow at all, it must mean that the Earth’s surface is curved.

Carl Sagan, the American astronomer, author, and science communicator was renowned for making difficult scientific concepts understandable to the millions; he did exactly this at the beginning of his renowned series Cosmos by explaining the thought process of Eratosthenes.

His calculation

The idea of a spherical Earth was already known by Pythagoras around 500 BC and validated by Aristotle a few centuries later.

If the Ancient Greeks before him were right, and the Earth was a sphere, Eratosthenes could use his observations to calculate the circumference of our planet.

After hiring a man to pace the distance between Syene and Alexandria, he found out that the two cities were five thousand stadia apart, which is about eight hundred kilometers.

He could then use simple proportions to find the Earth’s circumference—7.2 degrees is 1/50 of 360 degrees, so 800 times 50 equals 40,000 kilometers.

And just like that, an ancient Greek calculated precisely the circumference of our entire planet with just a stick and his brain over two thousand years ago.

Eratosthenes accomplished many feats throughout his life, including the creation of a chronology of Greek history, an algorithm to find every prime number, and the first global projection of the Earth.

Ancient Greeks made some of the most impressive astronomical discoveries in history, including Eratosthenes’ calculation of the circumference of the Earth.

It wasn’t until the mid-20th century that we managed to launch satellites into space and determine the exact kilometers of the circumference of the Earth: 40,030.2 kilometers.

But how, then, could the ancient Greek mathematician, Eratosthenes, manage to find pretty much the exact same number without having any pictures of Earth from space or even proper measuring tools?

Amazingly, Eratosthenes didn’t have much more than a stick and his brain when he made the amazing discovery.

How Eratosthenes discovered the circumference of the Earth

Born in Cyrene, an ancient Greek colony in modern-day Libya in 276 BC, Eratosthenes was a polymath, meaning that he had vast knowledge of many different subjects, including mathematics, astronomy, music theory, and poetry.

Over two thousand years ago, Eratosthenes heard that in Syene, a town south of Alexandria in Egypt, no vertical shadows were cast at noon on the summer solstice, as the sun was directly overhead.

The Greek mathematician wondered if this was the case in Alexandria, too, a few hundreds of miles to the north of Syene.

He decided to conduct an experiment. On June 21st, he went to Alexandria and put a stick directly in the ground and waited to see if a shadow would be cast at noon.

It turns out there was one, and he tried to measure it. The shadow cast measured to about seven degrees.

After conducting the experiment, Eratosthenes came to a very logical conclusion that if the sun’s rays are coming in at the same angle at the same time of day and a stick in Alexandria casts a shadow of seven degrees while the stick in Syene does not cast a shadow at all, it must mean that the Earth’s surface is curved.

Carl Sagan, the American astronomer, author, and science communicator was renowned for making difficult scientific concepts understandable to the millions; he did exactly this at the beginning of his renowned series Cosmos by explaining the thought process of Eratosthenes.

His calculation

The idea of a spherical Earth was already known by Pythagoras around 500 BC and validated by Aristotle a few centuries later.

If the Ancient Greeks before him were right, and the Earth was a sphere, Eratosthenes could use his observations to calculate the circumference of our planet.

After hiring a man to pace the distance between Syene and Alexandria, he found out that the two cities were five thousand stadia apart, which is about eight hundred kilometers.

He could then use simple proportions to find the Earth’s circumference—7.2 degrees is 1/50 of 360 degrees, so 800 times 50 equals 40,000 kilometers.

And just like that, an ancient Greek calculated precisely the circumference of our entire planet with just a stick and his brain over two thousand years ago.

Eratosthenes accomplished many feats throughout his life, including the creation of a chronology of Greek history, an algorithm to find every prime number, and the first global projection of the Earth.

An ancient Greek plant, now extinct, called Silphium, was used by the ancient Greeks and Romans for perfume, seasoning, medicine, and even contraception. It was one of the most sought-after goods in the ancient world.

The plant was so useful that Julius Caesar himself was said to have a large stash of silphium on hand at all times.

Silphium only grew in a narrow strip of land near the North African city of Cyrene in modern-day Libya and was essential to the city’s economy. The cultivation and trade of the plant transformed Cyrene into the richest region of Africa at the time.

Its widespread use in the ancient world allowed Cyrene’s economy to flourish, which in turn transformed the city into a center of art, culture, and medicine in the ancient Greek world.

In fact, it was home to a famous medical school and even a philosophical movement based around happiness whose members were called the Cyrenaics. Eratosthenes, the famous Greek mathematician, was a native of the city.

Although now extinct, researchers have determined, through studying ancient drawings and descriptions of the plant’s taste and appearance, that silphium likely belonged to the genus Ferula, which includes existing plants like giant fennel and asafoetida.

This theory is bolstered by the fact that asafoetida, which is still widely used today in Indian and central Asian cooking, was used as a cheaper substitute for silphium in antiquity, meaning that it was either related to the plant or had a very similar flavor.

The extinct plant silphium had many uses for ancient Greeks

Plants of the genus tend to resemble ancient depictions of the plant, which was widely found on coins from Cyrene due to its economic importance to the city.

It seems to have been a tall, flowering plant with a heart-shaped seedpod on the top. In fact, some theories about the origins of the modern symbol for love point to the shape of silphium’s seedpod, as the plant was widely used as an aphrodisiac.

Silphium was long used throughout the ancient Mediterranean. Both the Minoans and ancient Egyptians had specific glyphs to represent the plant, and it was widely lauded in songs and poems across ancient cultures.

According to myth, silphium came from the god Apollo himself. It had a wide variety of medicinal properties and was used to treat cough, pain, warts, fever, and indigestion. Although considered an aphrodisiac, it was also used as a contraception and even as an abortifacient.

The father of medicine Hippocrates himself even prescribed the plant for a protruding gut.

Silphium was likewise found in Greek and Roman cuisine and featured prominently in recipes by Apicius, who compiled one of the most well-preserved collections of ancient recipes in existence today.

Its earthy scent and medicinal properties also made it an important ingredient in perfume, as well as in ancient lotions and creams.

Why did silphium go extinct?

Due to its varied uses, silphium was in very high demand. Yet, by the time of the Roman emperor Nero, who lived from 37 to 68 AD, the plant was virtually extinct. According to Pliny, when the last remaining silphium plant was found, it was given to Nero.

Scholars theorize the plant was over-harvested and over-farmed due to its popularity, causing the soil in the limited area where the plant grew to become devoid of nutrients.

Additionally, shepherds used to feed silphium to their flocks, as the plant would transform the meat, making it tender and delicious. Scholars theorize that overgrazing of the plant likely contributed to its demise.

Others claim that regional climatic changes, which caused once green fields to turn into an arid desert, resulted in the plant’s extinction.

Ancient writers, such as Theophrastus, noted that silphium was very sensitive to changes in soil and therefore could not be cultivated in large  numbers nor in areas outside of Cyrene.

The Greeks have a long and fascinating history in some of the most famous cities of Italy. One example is Naples, which is Italy’s third-largest city. The ancient Greeks founded this city well over 2000 years ago, and their influence is still felt there even today. But how did the ancient Greeks end up founding this city all the way over in Italy? We can learn the answer through ancient historical records as well as from archaeology.

The Legend of the Ancient Greeks Founding Naples

The legend of how the ancient Greeks founded Naples starts with the legend of Jason and the Argonauts. The poem Alexandra, which may have been written in c. 200 BC, records a tradition concerning Naples. It refers to a certain ‘tower of Phalerus’ already existing there in the time of Odysseus. Since Odysseus lived at the time of the Trojan War, this ‘tower’ must be named after a Phalerus who lived before then.

There is only one Phalerus who this could be – the Phalerus who accompanied Jason on his voyage to find the Golden Fleece. Other ancient sources describes this Phalerus as the founder of Gyrton in Thessaly, Phalerum in Athens, and a temple in Cyprus. Therefore, Greek legend clearly associates this Phalerus with the founding of cities. This adds even more support to the conclusion that he was the Phalerus who founded some kind of ‘tower’ in Naples before the time of Odysseus.

Therefore, the reference in Alexandra indicates that Phalerus, an Argonaut, led the ancient Greeks to establish the earliest settlement at Naples.

The Legend of the Foundation of Parthenope

The story of the ancient Greeks founding Naples also involves the legend of Odysseus. On his famous journey home from Troy after the Trojan War, he passed a group of sirens. They tried to use their enchanting singing to get Odysseus and his men to walk overboard and drown. However, Odysseus blocked his men’s ears with wax and then tied himself to his ship’s mast, thus keeping them all safe.

After defeating the sirens, one in particular, named Parthenope, threw herself into the sea in despair at her failure. She drowned, and the waves washed her body ashore at the tower of Phalerus. That location was then named Parthenope in her honor, with a city being built on the site of her grave.

This was not in exactly the same place as the later city of Naples, but it was very nearby, and it is within modern Naples. Parthenope was essentially the precursor to Naples. The two have always been so closely associated that the word ‘Parthenopean’ is a synonym of ‘Neapolitan’ even today.

What Archaeology Reveals About the Ancient Greek Foundation of Naples

Those are the legends, but how well do they match the archaeological facts? Firstly, let us consider the very earliest settlement, supposedly founded by Phalerus, one of the Argonauts. The legend about this location does not reveal where exactly in Naples the ancient Greeks supposedly established it. Nonetheless, in Naples in general, archaeology indicates that the ancient Greeks first settled there in the eighth century BC.

Whether this is actually related to the legend of Phalerus the Argonaut establishing a settlement there or not is up for debate. The archaeological evidence comes from centuries after the traditional era of the Argonauts. Nonetheless, it is possible that they lived later than usually believed.

What about the settlement of Parthenope? Archaeologists have found a Greek necropolis, or cemetery, dating to the early seventh century BC and associated with the hill of Pizzofalcone. This is further evidence that the ancient Greeks were starting settle the area of Naples at that period in history.

How the Ancient Greeks Transformed Parthenope into Naples

This settlement developed into a bustling city over the years. It became a prominent military and trading port. However, its success became its downfall. Cumae, the city from which the settlers of Parthenope primarily came, became jealous of their colony’s success. They did not want it to cause the original city, Cumae, to become abandoned. Therefore, they allegedly decided to destroy Parthenope.

There is little, if any, archaeological evidence for destruction at Parthenope dating to this time. However, whatever really happened, the evidence is clear that another settlement was then established in the Naples area, again by the ancient Greeks of Cumae. They called this city Neapolis, meaning ‘New City’. This eventually evolved into ‘Naples’, the English name for that city today.

The old settlement of Parthenope then started going by the name ‘Palaeopolis’, meaning ‘Old City’. However, it did not disappear completely. It became absorbed into the new settlement, becoming part of Naples.

Dimitris Liantinis was a Greek philosopher and professor who believed that ancient Greeks were so preoccupied with the idea of death that it formed the basis of their entire culture. He then disappeared very mysteriously, with some positing that he committed suicide.

Dimitris Liantinis’ early life

Dimitris Liantinis was a professor of the School of Philosophy at the University of Athens, where he taught a class in the philosophy of education and the teaching of Greek language and literature. He also authored nine books, all written in Greek and focused on philosophy and education.

His last name at birth was Nikolakakos, but he changed it to Liantinis to honor his place of birth, the village of Liantina in the prefecture of Laconia.

He completed his high school education in Laconia and, in 1966, graduated from the Department of Literature of the School of Philosophy at the University of Athens. He taught literature at secondary education level from 1968 to 1970 and from 1973 to 1975.

From 1970 to 1972, Liantinis was in Munich, Germany, learning and studying the native language. At the same time, he worked there as a teacher of classical literature at the private Greek high school Otto Geselschaft.

In 1975, he embarked on graduate studies in the School of Philosophy at the University of Athens and was appointed a teaching assistant at the Laboratory of Education. He got his PhD in 1978 with honors. The subject of his thesis was: “The presence of Hellenic spirit in the Duino elegies by Rainer Maria Rilke.”

As a professor, he gave many training seminars and lectures to teachers of secondary education level in Greece.

The Greek professor’s philosophical views

Liantinis’ ideas were strongly influenced by the philosophy of ancient Greece, as well as the ideals of the Romantic movement and the works of Friedrich Nietzsche. The professor made several references to the scientific progress of his time, particularly in the area of cosmology, and he made efforts to formulate a connection between that and the existence and nature of God.

He wrote at great length about education, and some of his work focused on what he considered to be the moral and intellectual decline of modern Greeks compared to their ancestors.

To further solidify his position, Liantinis devoted large parts of his body of work to defining exactly what the real value of ancient Greece was, as well as the actual worldview that they held. He argued against the notion that ancient Greece, although ahead of its time for most of antiquity and possibly the Middle Ages, was eventually superseded by the advancements of Renaissance Europe.

In contrast, he believed that the Greeks possessed a complete culture, a kind of super-set for all Western cultures, past and present. As an example, in his book Gemma, he argued that “the Greeks did not need psychoanalysis because they had tragedy.”

This period of intellectual magnificence was short-lived, and Liantinis wrote that “it would be a sign of honesty if the Greeks were to stop philosophizing right after Aristotle.”

He added that today, Greeks are completely unknown as “for the Europeans, we, the ‘New-Greeks,’ are but a faceless bunch, something of a Balko-Turkish Arab. We are the Orthodox with the Russian-like writing and the domes on our village houses.”

Death was also central to the professor’s work and, as he claimed, that of the ancient Greeks. He refuted the idea that ancient Greece was a culture of playful joyfulness and argued that the Greeks had instead presented us with a world of infinite melancholy, a proposition that is consistent with that of Nietzsche, whom he greatly admired.

Their philosophy was a study of death, according to Liantinis, and their conclusions were absolute and hard to accept since they saw death as a final end with no afterlife or moral rewards for the life lived on earth.

The Greek professor’s views on death

Liantinis believed that death as a topic occupied the ancients to such a degree that one could see their whole culture arising from the radical views they held on the subject.

The professor believed the ancient Greeks saw death as an unchanging cosmic law and did not associate whatever afterlife they had conceived with a system of divine punishment or reward like the Abrahamic religions. Although individual myths, such as that of Sisyphus who was condemned to eternal punishment in the realms of Hades, did exist, they were largely exceptions to the rule and never developed into a proper system of beliefs on life after death.

In one of his lectures,[5] Liantinis said Homer describes a scene where the hero, before engaging him in battle, says to his opponent, “The race of men is related to that of leaves, as we momentarily stand fresh on the tree branch, then quickly surrender to the wind and rain.” The lyric poet Pindar also questions in his works: “What are we [men] but dreams of shadows.”

Liantinis’ strange disappearance

On June 1, 1998, Liantinis disappeared, leaving a letter for his daughter, Diotima, where he revealed his decision to vanish on his own free will after lifelong consideration and preparation.

Liantinis’ disappearance evoked many speculations from the public, with some believing he had taken his own life in protest against what he saw as the lack of values in modern Greek society.

Seven years after the professor’s death, Panagiotis Nikolakakos, his cousin, showed Diotima to the crypt where her father lay in the area of the Greek mountain Taygetos. Nikolakakos had been instructed to do this by the late professor before his departure.

Several thorough forensic tests and analyses proved the skeleton in the crypt to be that of Liantinis, but the exact date and cause of his death remain unknown since no lethal substance was detected.

Despite his will stating that his bones should remain on Taygetos, he was finally buried at the cemetery of Kechries near the city of Corinth.

In his last letter to his daughter, he wrote: “My last act has the meaning of protest for the evil that we, the adults, prepare for the innocent new generations that are coming. We live our life eating their flesh. A very bad evil. My unhappiness for this crime kills me.”

The ancient Greeks, renowned for their cultural and intellectual achievements, interacted with numerous neighboring cultures that influenced and enriched their own civilization. Understanding these lesser-known cultures provides valuable insights into the complex web of interactions that shaped the ancient world, making this topic still relevant today.

As one of the most popularly studied civilizations of antiquity, the ancient Greeks tend to overshadow many of the neighboring cultures they interacted with.

However, the Greeks shared the ancient world with a myriad of other interesting cultures and civilizations, some of which are severely underappreciated in mainstream historical discourse.

In this article, we’ll be skipping over the other “heavyweights” of the ancient world, such as the Romans, Egyptians, Persians, and Phoenicians to focus on some of the lesser-known cultures the Greeks were familiar with to various extents.

What did the ancient Greeks think of neighboring cultures?

The term “barbarian” likely finds its roots in the Sumerian word “barbar,” which meant “foreigner.” In Greek, it served as both a loan word and an onomatopoeic representation, mimicking the unintelligible babbling sounds that the Greeks associated with foreigners speaking their languages.

Originally, “barbaroi” served as a neutral, collective name for all non-Greeks, without inherently negative connotations. However, over time, the term acquired a negative meaning, reflecting the prevailing Greek perception of non-Greeks as uncivilized or inferior.

As noted by the academic Stavros Moutsios,  “This political designation of the barbarians, however, did not entail lack of acknowledgment nor of admiration of their achievements.” Indeed, the ancient Greeks often displayed a great deal of curiosity toward neighboring cultures and civilizations.

A good example of this was the practice of religious syncretism, whereby the Greeks would merge the gods of their pantheon with similar foreign deities. For example, the Graeco-Egyptian god Serapis possessed a combination of the Egyptian deities Osiris and Apis with the Greek deities Hades and Demeter.

Naturally, the perceptions of the Greeks toward other cultures varied a great deal. Often, our modern preconceptions of ancient peoples are shaped by the surviving literary sources written by ancient Greek authors about neighboring peoples who were themselves not literate.

The Scythians

The Scythians were one of the most enigmatic peoples of antiquity, famous for their mastery over horses. To call the Scythians “neighbors” of the ancient Greeks is somewhat of a misnomer since the Scythians were nomads and had no fixed borders, but the Greeks had fairly frequent contact with them through trade and war.

The Scythians were an Eastern Ianic people who inhabited the region north of the Black Sea, in present-day Ukraine, southern Russia, Kazakhstan, and parts of Central Asia, from around the 9th century BC to the 4th century AD.

Our main source on the perceptions of the ancient Greeks regarding the Scythians is the accounts of the historian Herodotus of Halicarnassus and later Greek writers. Incidentally, Herodotus, the”Father of History”, is also our main literary source on the Scythians generally.

According to Herodotus, the arrival of the Scythians led to conflict among the Cimmerians, with the royal tribe wanting to defend their lands and the rest of the population seeking to flee. Another account stated that the Scythians chased the Cimmerians out of their territory, forcing them to migrate south into West Asia.

As time passed, the image of the Scythians in Athens became the quintessential stereotype used for non-Greeks, and they were associated with drunkenness due to Greeks’ caricatural representation of foreigners as unmoderated drinkers.

Later Greek literature transformed the Scythian prince Anacharsis into a legendary figure representing “Barbarian wisdom.” He became one of the Seven Sages of Greece and an ideal “man of nature” or “noble savage” figure. Ephorus of Cyme, a 4th-century BC historian, idealized the Scythians as “invincible” people, creating a fictitious account of a legendary Scythian king named Idanthyrsos who defeated the legendary pharaoh Sesostris and ruled all of Asia. This perception of the Scythians as a powerful and wise people became a tradition in Greek literature.

The Scythians were also included in Greek mythology, with mythical Scythian characters appearing in stories. Herodotus of Heraclea, for instance, portrayed Teutarus, a mythical Scythian, as a herdsman who served Amphitryon and taught archery to Heracles. Additionally, the Titan Prometheus was described as a Scythian king, and his son Deucalion was also linked to the Scythians in Greek myths.

The Thracians

The Thracians were a group of Indo-European-speaking people who inhabited significant portions of Southeast Europe during ancient history. They mainly resided in regions that now correspond to modern-day Bulgaria, Romania, and northern Greece. However, Thracian settlements were not confined solely to Southeast Europe; they also extended to north-western Anatolia (Asia Minor) in what is present-day Turkey.

The Greeks and Romans described Thracian culture as tribal, and they remained largely disunited until the establishment of the Odrysian kingdom. The Odrysian Kingdom was a state union of over 40 Thracian tribes and 22 kingdoms that flourished from the 5th century BC to the 1st century AD. It encompassed mainly present-day Bulgaria, with extensions into parts of Southeastern Romania (Northern Dobruja), Northern Greece, and modern-day European Turkey.

By the fifth century BC, Herodotus referred to the Thracians as the second-most numerous people in the known world after the Indians and potentially the most powerful, had it not been for their lack of unity. The Thracians were generally not known for constructing cities, and Seuthopolis was their sole polis.

The Greeks frequently fought with the Thracians but also admired them for their martial prowess and hired them as mercenaries. Both Alexander the Great and his father Philip II fought on the Thracians on various occasions.

The Thracian ruler Kersebleptes was Philip’s most consequential Thracian enemy. Over a series of campaigns from 356 to 340 BC, Philip II succeeded in bringing Kersebleptes under his control as a tributary vassal, and in the process, he conquered a substantial portion of Thrace. Alexander again successfully fought the Thracians – among the other peoples – during the Balkan Campaign of 335 BC.

The Phrygians

The Phrygians were an ancient Indo-European-speaking people who resided in central-western Anatolia. Ancient Greek authors used “Phrygian” as a broad term to refer to a diverse ethnocultural grouping situated mainly in the central regions of Anatolia, rather than denoting a single “tribe” or “people.”

The ethnolinguistic homogeneity of the Phrygians is subject to debate. According to Herodotus, the Phrygians were originally dwelling in the southern Balkans under the name of Bryges (Briges), but they later changed their name to Phryges after migrating to Anatolia through the Hellespont.

While numerous historians purport the theory of a Phrygian migration from Europe to Asia Minor around 1200 BC, Anatolian archaeologists have largely dismissed this notion. Instead, it has been proposed that the Phrygian migration to Asia Minor, which Greek sources indicate took place shortly after the Trojan War, actually occurred much earlier and in multiple stages.

The Greeks and Phrygians had significant cultural connections, particularly in the realm of music. The earliest traditions of ancient Greek music were partly influenced by Phrygian music, which was transmitted through the Greek colonies in Anatolia. The Phrygian mode, known as the warlike mode in ancient Greek music, was one of the musical elements borrowed from the Phrygians.

The Phrygian king, Midas, renowned for his “golden touch,” was said to have been tutored in music by the legendary Orpheus himself, according to mythological accounts. Moreover, the aulos, a reed instrument with two pipes, was another musical invention attributed to Phrygia and subsequently embraced by the Greeks.

In classical Greek iconography, Paris, a Trojan prince famous for abducting Helen in the Iliad, is depicted as non-Greek by wearing a Phrygian cap. This distinct headgear was also worn by Mithras and has persisted in modern imagery as the “Liberty cap” of the American and French revolutionaries, symbolizing freedom and rebellion. More amusingly, the Smurfs also wear the Phrygian cap.

The Importance of Cultural Exchange in the Ancient World

In the context of increasing globalization, examining how ancient cultures, like the Greeks and their neighbors, interacted and exchanged ideas is crucial. These exchanges facilitated the spread of technology, religious practices, and art forms, which had a profound impact on the development of Western civilization.

1. Technological Exchange: The Greeks adopted various technologies from their neighbors, such as the alphabet from the Phoenicians, which became the basis for the Greek writing system. This exchange was pivotal in the development of Greek literature and philosophy.
2. Religious Syncretism: Religious practices were often blended, as seen in the fusion of Greek and Egyptian deities into figures like Serapis, symbolizing a blending of beliefs that enriched both cultures.
3. Artistic Influences: Greek art, especially in pottery and sculpture, shows influences from Thracian, Scythian, and Phrygian styles, highlighting how these cultures contributed to what we now consider classical Greek art.

Diomedes was a distinct Greek hero whose story in Homer’s Iliad is marked by his battle skills, courage, intelligence, and aid from the gods, as well as his association with horses of divine ancestry. However, he is often overshadowed by legendary figures such as Achilles and Odysseus in accounts of the Trojan War. Nevertheless, Diomedes, the king of Argos, remains a central figure in Homeric tradition, particularly within the Iliad itself.

In Craig Russell’s paper, “Diomedes’ Magical Horses,” the scholar explores the Greek hero’s extraordinary relationship with horses, especially those believed to possess exceptional ancestry. This is an often overlooked aspect of the Greek hero’s identity. Drawing on mythological sources, Russell demonstrates that Diomedes’ horses are not merely possessions or instruments of war but symbols of heroic excellence, divine favor, and aristocratic status. Their significance reveals key aspects of Greek heroic culture and highlights the close connection between humans, animals, and the gods.

In Greek mythology, horses frequently symbolize nobility, power, and divine intervention. Greek heroes and kings are often associated with divine horses that distinguish them from ordinary warriors. Russell argues that Diomedes’ own horses belong within this tradition. According to Homeric accounts, the ones ridden by Diomedes during the Trojan War were descended from immortal steeds originally given by Zeus to the Trojan Prince Tros. Through a long genealogical chain, these remarkable horses eventually came into the possession of Diomedes, the Argive Greek hero. Their lineage connected them to the divine realm and elevated their status beyond that of ordinary warhorses.

The Greek hero Diomedes and his divine horses as a unified team

The divine ancestry of Diomedes’ horses is particularly significant because Greek mythology frequently draws on genealogy to establish authority and prestige. Just as heroes traced their lineage to gods and legendary ancestors, animals associated with heroes could also possess sacred origins. Russell emphasizes that the horses’ connection to Zeus reflects the broader Greek belief that excellence often derives from divine favor. By possessing such animals, Diomedes demonstrates not only wealth and military strength but also a special relationship with the gods. The horses become visible markers of his status.

Russell further notes that Diomedes’ horses are closely linked to his success on the battlefield. In the Iliad, mobility and speed are essential components of warfare. Chariots allowed warriors to move quickly across the battlefield, pursue enemies, and withdraw from danger. The quality of a hero’s horses could therefore determine military effectiveness. Diomedes’ steeds are repeatedly described as powerful, swift, and reliable, characteristics that mirror the hero’s own virtues. Their performance contributes directly to his battlefield achievements, reinforcing the idea that the hero and his horses function as a unified team.

The connection between Diomedes and his horses also reflects the broader theme of the relationship between humans and animals within Greek epic literature. Unlike modern perspectives that often separate humanity from nature, Greek mythology frequently portrays animals as intelligent companions capable of sharing in heroic destinies. Russell argues that Diomedes’ horses should be understood within this context. They are not passive creatures but active participants in the hero’s adventures. Their divine heritage grants them an elevated status, and their loyalty reflects the mutual dependence between warrior and steed.

Horses as symbols of status and power

An important aspect of Russell’s analysis involves comparison with other famous horses in Greek mythology, most notably the immortal horses Xanthus and Balius, owned by Achilles. Like Diomedes’ horses, these animals possess divine ancestry and extraordinary abilities. The comparison reveals a recurring pattern in heroic narratives: remarkable Greek heroes are often accompanied by exceptional animals whose qualities complement their masters. However, Russell suggests that Diomedes’ horses have received far less scholarly attention despite their comparable significance. This neglect may stem from the greater fame of Achilles, whose dramatic story dominates much of the Homeric tradition.

The symbolic importance of horses extends beyond warfare. In Ancient Greek society, horse ownership was associated with aristocratic status and political power. Maintaining horses required substantial wealth, making them markers of elite identity. Russell highlights this social dimension in his discussion of Diomedes. As a king and military leader, the Greek hero embodies the values of the warrior aristocracy. His possession of magnificent horses reinforces his position within the social hierarchy and affirms his legitimacy as a ruler. Thus, the horses function not only as military companions but also as indicators of social prestige.

Another key theme in Russell’s essay is the relationship between divine gifts and human responsibility. Greek mythology often portrays gifts from the gods as both blessings and challenges. Heroes who receive divine assistance must prove themselves worthy of it through courage, wisdom, and self-discipline. Diomedes’ horses exemplify this principle. Their divine lineage grants him advantages, but those become meaningful only through Diomedes’ own skill and character. Russell’s interpretation underscores the central Greek idea that excellence results from the combination of divine favor and human achievement.

Athena’s intervention in the Trojan War

The role of the goddess Athena further strengthens this interpretation. Among all the Olympian deities, Athena is the divine patron most closely associated with Diomedes. During the Trojan War, she grants him extraordinary strength and clarity of vision, enabling him to confront even gods, such as Ares, the god of war, on the battlefield. Russell suggests that Diomedes’ horses complement this broader pattern of supernatural support. Together, Athena’s guidance and the horses’ divine ancestry create an image of a Greek hero uniquely favored by divine powers. Yet, Diomedes never relies solely on these advantages; his personal bravery remains essential to his success.

Russell also highlights the narrative function of the horses within epic storytelling. In oral tradition, recurring symbols help audiences recognize and remember key figures. The mention of Diomedes’ horses serves as such a marker, reinforcing his heroic stature. Whenever they appear, listeners are reminded of his exceptional qualities and distinguished lineage. This symbolic role contributes to the enduring significance of the horses within the mythological tradition.

Furthermore, the story of Diomedes’ horses illustrates the interconnected nature of Greek mythology. Their lineage links different generations, kingdoms, and legendary figures. Such connections reflect a characteristic feature of Greek myth in which individual stories rarely exist in isolation. Instead, heroes, gods, and extraordinary creatures form part of a vast narrative network. Russell demonstrates that tracing the history of Diomedes’ horses reveals broader patterns of inheritance, divine intervention, and heroic identity that extend far beyond a single tale.

According to Russell, Diomedes’ horses are far more than simple war animals. Their divine ancestry, battlefield importance, symbolic value, and connection to aristocratic culture make them essential to the Greek hero’s identity. They embody Greek ideals of excellence, divine favor, and noble status while highlighting the close relationship between humans, animals, and the gods.

Scholars acknowledge that some legends from Greek mythology are strikingly similar to stories from the Bible. According to some theories, a few individual characters from the Bible might also appear in Greek mythology. One theory argues that the famous Moses of Egypt can be found in Greek records. Does Moses really appear in Greek mythology, or is this just wishful thinking?

Who was Moses?

Firstly, let us establish who Moses was. He appears in the Bible books of Exodus, Leviticus, Numbers, and Deuteronomy. Exodus contains the most famous part of his life story. It tells the story of how he was a Hebrew boy placed in the Nile River, where the Pharaoh’s daughter then found him.

When Moses was an adult, he tried to help his fellow Hebrews, who were slaves in Egypt, but then he ran away and remained in a distant land for forty years. He eventually returned after God allowed him to go and free his people from Egypt. Pharaoh refused to let the Hebrews go, but after ten devastating plagues from God, he relented.

Moses led the people out of Egypt across the Red Sea (where Pharaoh and his army drowned after trying to pursue them) and into the Sinai wilderness. There, he gave his people an extensive list of regulations from God, collectively known as the Mosaic Law. He also wrote many religious writings. The first five books of the Bible are attributed to him, as well as several poetic writings.

Did the Greeks know about Moses?

The theory that Moses appears in Greek mythology depends on the idea that the Greeks could have known of Moses in the first place. After all, he could not have appeared in their mythology if they did not know about him.

As it so happens, Moses does appear in quite a few Greek records. The Egyptian priest Manetho, from the third century BCE, mentioned Moses in his history of Egypt. Since Manetho lived in Egypt during its Hellenistic era, it is virtually certain that the Greeks of that region were aware of Moses. They certainly would have known of him after reading Manetho’s history.

Interestingly, there is evidence that the Greeks knew about Moses even before the Hellenistic era of Egypt. The first-century BCE Greek historian Diodorus Siculus wrote about the origin of the Jews. His account came from Hecataeus of Abdera, a Greek traveler from c. 300 BCE.

Hecataeus’ account differs from the Bible’s account in numerous ways, but it is still fundamentally the same story of Moses. Therefore, at least as early as 300 BCE, the Greeks definitely knew about Moses.

Was Musaeus from Greek mythology the same as Moses?

In ancient times, several writers explicitly identified Moses with a certain figure from Greek mythology. This figure was Musaeus. It is obvious that the main reason for identifying the two figures is due to the similarity between their names. But is there any more of a connection than this? Well, what does Greek mythology say about Musaeus?

Musaeus was a legendary intellectual, philosopher, seer, prophet, poet, musician, and historian. The Greeks believed that he founded a class of priestly poetry in Athens. He allegedly lived in the time of Heracles and was associated with Orpheus, another prominent poet and prophet from Greek mythology.

Immediately, we can see that there are some definite similarities between Moses and Musaeus from Greek mythology. In addition to the similarity in their names, their roles are also similar. Moses was a prophet, since he relayed messages from God. He was a poet, since he wrote the poetic book of Job and several of the Psalms. He was also a historian, since he wrote part of the history of the Jews.

Why Musaeus could not have been Moses

Despite these similarities, there is a key reason why Musaeus could not have been Moses. The key reason is that they did not live at the same time.

At first glance, it might look like the chronology works very well. Moses is usually placed at the time of Ramesses II, who ruled in the 13th century BCE. He is also placed in the time of Heracles, who lived about half a century prior to the Trojan War. That would also put him in the 13th century BCE according to the traditional date of the Trojan War. Therefore, it seems at first glance that Musaeus and Moses would have been exact contemporaries.

However, the reality is not so simple. Despite the popular association between Moses and Ramesses II, this has no historical or Biblical basis. The Bible’s internal chronology, along with its genealogical record of the prophet Samuel, places Moses firmly in c. 1500 BCE. That means he lived almost three centuries earlier than the traditional era of Musaeus.

The true era of Musaeus

The theory connecting Moses with Musaeus is further disproved if we examine the information about Musaeus from Greek mythology even more closely. For one thing, there is evidence that the Trojan War occurred several centuries later than the traditional date.

Furthermore, recall that Musaeus was closely associated with Orpheus. Some records say that Musaeus was Orpheus’ son, while other records give the inverse relationship. In either case, they lived at about the same time.

Greek tradition claims that Homer was a tenth generation descendant of Orpheus. That would place Orpheus, and therefore his associate Musaeus, about 200 to 250 years prior to the time of Homer. Since Homer lived in the seventh century BCE, that would mean that Musaeus would have probably lived in the ninth or tenth century BCE. Hence, this would have been long after the time of Moses. Therefore, it is virtually certain that Moses was not Musaeus from Greek mythology.

The Greeks were famous in antiquity for their adventurous and curious spirit, which led to the establishment of numerous Greek colonies across the Mediterranean and beyond. Tucked away on Spain’s beautiful Costa Brava, one of these ancient Greek colonies, called Emporion, was a truly remarkable Greek settlement that thrived far from metropolitan Greece on the other side of the Mediterranean.

Emporion is an excellent example of early Greek expansion, as it became a place where Greek traders and settlers converged to establish a bastion of Greece at the far western end of the Mediterranean.

Emporion became a thriving hub that, for centuries, played a crucial role in shaping the foundations of early European exchange and people’s movements. When discussing Greek colonies, we normally focus on Asia Minor and the Italian Peninsula. However, here on the Iberian Peninsula, these ancient Greek explorers left their unique mark, proving that the ancient Greeks were, in fact, quite the adventurers.

Emporion was a Greek gem on Spanish soil

The story of Emporion started around 575 BC, when Greek seafarers from Phocaea, a Greek city in Asia Minor (modern-day Turkey), set their sights on the western horizon, seeking more land to expand their opportunities. These people were the same adventurous men and women who founded Massalia (today’s Marseille) on the opposite side of Emporion, on today’s Mediterranean coast of France.

Their initial settlement, the “Palaiapolis” or Old City, was cleverly positioned on a small island, now comfortably part of the mainland, due to thousands of years of land reclaiming in the broader area. We can only imagine the spectacle of Greek ships filled with exquisite pottery, fine olive oil, and the kind of wine that only ancient Greeks could produce, setting foot on Iberia.

What was different at that time was that these people weren’t just there to exchange goods and sell their produce; they were there to stay permanently, injecting Greek culture into the local populations, importing fresh ideas, and the unique “Greek spirit” into the local area.

The very name they gave to the city, “Emporion,” means “market” or “trading post” in Greek. It leaves no room for doubt about its core purpose and the reason why this settlement was named after the Greek word for trade. Emporion was intended to become a cosmopolitan crossroads, a vibrant meeting point where Greek merchants met local Iberian populations, thereby establishing a robust trade route in a wide range of goods, from precious metals to essential food supplies.

What is particularly fascinating about Emporion is the relationship that developed between the Greek colonists in the area and the local Iberian tribes, especially the Indiketes. Initially, there was a clear divide—a literal wall separated the Greek and Iberian communities, as is often the case with newly established colonies throughout history.

But as often happens, shared interests and a healthy dose of realism slowly eroded those barriers, bringing locals and settlers together. Over time, mutual benefit led them to achieve a remarkable degree of cultural exchange, resulting in a truly blended society that contributed to the development of a unique community with its own strengths and characteristics.

This community thrived through commerce and cultural exchanges. Centuries later, during the Roman era, Emporion’s strategic value became undeniable. During the tumultuous Punic Wars, Emporion became a crucial landing point for Roman legions, demonstrating its geopolitical importance. The Romans, ever efficient, established their adjacent settlement, which eventually merged with the pre-existing Greek city. The collective name, Emporiae, perfectly encapsulates this dual Greco-Roman identity and heritage, where two powerful cultures merged on one remarkable site.

Today, what truly makes Empúries a must-see is the extraordinary chance it offers to walk through both Greek and Roman streets in a single visit. It’s not every day you get to stand where an ancient agora once buzzed with philosophical debate, and just right next to it, you can envision a Roman forum alive with political drama that only the Romans could offer.

The ongoing excavations, which commenced in 1908, continue to unearth incredible treasures—from formidable city walls and elegant temples, including one dedicated to Asclepius, the Greek god of medicine (perhaps an early version of a Greek health resort), to private homes adorned with breathtaking Roman mosaics.

The next time you visit northeastern Spain and Catalonia, be sure to visit this site of ancient Greek heritage on the Iberian Peninsula. Admire what is now known as Empúries, a name closely resembling its original one.

For a more detailed description of what led to the Greek colonization of the area, read here.

The Greeks were famous in antiquity for their adventurous and curious spirit, which led to the establishment of numerous Greek colonies across the Mediterranean and beyond. Tucked away on Spain’s beautiful Costa Brava, one of these ancient Greek colonies, called Emporion, was a truly remarkable Greek settlement that thrived far from metropolitan Greece on the other side of the Mediterranean.

Emporion is an excellent example of early Greek expansion, as it became a place where Greek traders and settlers converged to establish a bastion of Greece at the far western end of the Mediterranean.

Emporion became a thriving hub that, for centuries, played a crucial role in shaping the foundations of early European exchange and people’s movements. When discussing Greek colonies, we normally focus on Asia Minor and the Italian Peninsula. However, here on the Iberian Peninsula, these ancient Greek explorers left their unique mark, proving that the ancient Greeks were, in fact, quite the adventurers.

Emporion was a Greek gem on Spanish soil

The story of Emporion started around 575 BC, when Greek seafarers from Phocaea, a Greek city in Asia Minor (modern-day Turkey), set their sights on the western horizon, seeking more land to expand their opportunities. These people were the same adventurous men and women who founded Massalia (today’s Marseille) on the opposite side of Emporion, on today’s Mediterranean coast of France.

Their initial settlement, the “Palaiapolis” or Old City, was cleverly positioned on a small island, now comfortably part of the mainland, due to thousands of years of land reclaiming in the broader area. We can only imagine the spectacle of Greek ships filled with exquisite pottery, fine olive oil, and the kind of wine that only ancient Greeks could produce, setting foot on Iberia.

What was different at that time was that these people weren’t just there to exchange goods and sell their produce; they were there to stay permanently, injecting Greek culture into the local populations, importing fresh ideas, and the unique “Greek spirit” into the local area.

The very name they gave to the city, “Emporion,” means “market” or “trading post” in Greek. It leaves no room for doubt about its core purpose and the reason why this settlement was named after the Greek word for trade. Emporion was intended to become a cosmopolitan crossroads, a vibrant meeting point where Greek merchants met local Iberian populations, thereby establishing a robust trade route in a wide range of goods, from precious metals to essential food supplies.

What is particularly fascinating about Emporion is the relationship that developed between the Greek colonists in the area and the local Iberian tribes, especially the Indiketes. Initially, there was a clear divide—a literal wall separated the Greek and Iberian communities, as is often the case with newly established colonies throughout history.

But as often happens, shared interests and a healthy dose of realism slowly eroded those barriers, bringing locals and settlers together. Over time, mutual benefit led them to achieve a remarkable degree of cultural exchange, resulting in a truly blended society that contributed to the development of a unique community with its own strengths and characteristics.

This community thrived through commerce and cultural exchanges. Centuries later, during the Roman era, Emporion’s strategic value became undeniable. During the tumultuous Punic Wars, Emporion became a crucial landing point for Roman legions, demonstrating its geopolitical importance. The Romans, ever efficient, established their adjacent settlement, which eventually merged with the pre-existing Greek city. The collective name, Emporiae, perfectly encapsulates this dual Greco-Roman identity and heritage, where two powerful cultures merged on one remarkable site.

Today, what truly makes Empúries a must-see is the extraordinary chance it offers to walk through both Greek and Roman streets in a single visit. It’s not every day you get to stand where an ancient agora once buzzed with philosophical debate, and just right next to it, you can envision a Roman forum alive with political drama that only the Romans could offer.

The ongoing excavations, which commenced in 1908, continue to unearth incredible treasures—from formidable city walls and elegant temples, including one dedicated to Asclepius, the Greek god of medicine (perhaps an early version of a Greek health resort), to private homes adorned with breathtaking Roman mosaics.

The next time you visit northeastern Spain and Catalonia, be sure to visit this site of ancient Greek heritage on the Iberian Peninsula. Admire what is now known as Empúries, a name closely resembling its original one.

For a more detailed description of what led to the Greek colonization of the area, read here.

The wild boar was a significant animal in Ancient Greece, appearing in their mythology, religious traditions, and daily life. It was a respected and feared creature, valued both as a worthy hunting challenge and as a prized source of food.

The wild boar held a prominent place in Greek mythology, symbolizing immense strength, ferocity, and the untamed nature of the world. Heroes were often defined by their ability to confront and conquer these beasts.

The Calydonian Boar was one of the most famous creatures of Ancient Greek lore. The goddess Artemis sent this gigantic boar to ravage the lands of Calydon as punishment for the king’s neglect of her. This provoked a great hunt that drew the most celebrated heroes of the age, including the hero Meleager and the huntress Atalanta, highlighting the animal’s status as an epic adversary.

As part of his legendary labors, the hero Heracles was tasked with capturing this ferocious Erymanthian Boar, which was terrorizing the region of Mount Erymanthos. Heracles had to use his cunning and strength to chase the beast into deep snow and trap it alive. The depiction of this feat was a favorite subject in ancient vase painting and sculpture.

These myths show that the boar was not merely an animal. It was a metaphorical challenge to human civilization, a representation of untamed nature that only the greatest heroes could overcome.

The wild boar in daily life and hunting in Ancient Greece

Hunting was a crucial activity in Ancient Greece, serving as a rite of passage for young men and a demonstration of courage and skill. The wild boar hunt was one of the most dangerous pursuits.

Hunters typically used spears, javelins, and a pack of trained hunting dogs to corner the animal. Confronting a wild boar was a high-risk activity due to its powerful tusks and aggressive nature when cornered. The hunters’ bravery and strategy were highly respected.

The meat was a highly valued delicacy. It was associated with rich meals and was a staple at religious festivals and banquets. The meat was often roasted, and its fat was used to enhance the flavor of other dishes. It could also be preserved through salting or smoking, ensuring it could be enjoyed year-round.

The Ancient Greek writer Xenophon, in his work Cynegeticus (On Hunting), provided a detailed guide to hunting techniques, emphasizing their role in the education and lifestyle of aristocratic youth. He believed that the discipline and courage required for the hunt were essential for a well-rounded citizen.

Historians and philosophers on the wild boar

Other ancient historians and philosophers also speak of the wild boar, though their perspectives often differ from the more mythological and heroic focus. They were interested in the animal from a more practical and scientific standpoint.

Aristotle mentioned the wild boar in his work History of Animals. He focused on its physical characteristics and behavior, including its ferocity and its place within the animal kingdom. Aristotle was interested in classifying animals and understanding their relationships, and the wild boar was part of this broader biological inquiry.

Plato used the pig, and by extension the boar, as an example but not always in a positive light. In the Republic, for instance, he discusses a “city of pigs” to describe a society that only seeks basic, low-level pleasures, contrasting it with a more refined, ideal city. This shows how the animal was also used as a symbol for a simple or primitive way of life.

Beyond philosophy, the wild boar appears in the works of various other ancient writers, often in the context of history, geography, and mythography. Homer’s epic poems, the Iliad and the Odyssey, feature wild boar hunts. The most famous example is the scar on Odysseus‘s leg, which he received during a boar hunt in his youth, a detail that reveals his identity to his old nurse. This highlights the hunt’s role as a formative event and a mark of a man’s courage.

The Greek geographer and travel writer Pausanias mentioned the Calydonian Boar in his Description of Greece. He notes that he saw the boar’s hide and tusks in a temple, providing a quasi-historical reference to a mythical event, which shows how deeply these stories were believed and integrated into Greek cultural life.

The boar in Ancient Greece represented not only the “invincible enemy” but also a raw, primal force of nature that humans strove to master. Its resilience and strength also made it a symbol of fertility and endurance in certain regional traditions.

Cape Tainaro (also known as Cape Matapan) is the southernmost point of mainland Greece and the Balkan Peninsula, located at the tip of the Mani Peninsula. It’s a place of rugged beauty, characterized by dramatic cliffs, a wild landscape, and the convergence of the Messenian and Laconian Gulfs.

Tainaro has been important for thousands of years, serving as a maritime crossroads and a place of worship. Today, a lighthouse stands at its very tip, and scattered ruins of ancient settlements and temples can still be found there.

The lighthouse that stands guard in Tainaro is considered one of the most imposing in all of Greece. It is a construction of French technicians, built of stone on a plateau on the natural rocks of the cape, with a height of about 52 feet (16 meters). It began operating in 1887 and was renovated in 1930.

In 1984, an automatic lighting machine was installed there, and the lighthouse was abandoned by its last guardians. The building was restored in 2008 and has since been guarded by Navy personnel. Every third Sunday in August, public access is free as part of World Lighthouse Day.

Cape Tainaro: Gateway to the Underworld (Hades)

Ancient Greeks believed that a cave at the cape’s edge, often referred to as the “Gates of Hades” or “mouth of Taenarum,” was a direct entrance to the Underworld, the realm of the dead, ruled by the god Hades. This mythical entrance was said to be guarded by Cerberus, the monstrous three-headed hound with a serpent’s tail who prevented the dead from escaping and the living from entering.

One of the most famous myths connected to Tainaro is that of Heracles (Hercules). As his twelfth labor, he descended into the Underworld through this cave to capture and bring Cerberus to Eurystheus. The legendary musician Orpheus also used this passage to descend into Hades in his attempt to bring his beloved wife, Eurydice, back to the world of the living.

By some accounts, the sculpted canal on the east side of Porto Sternes was the path taken by the souls of the dead, ferried by Charon, the grim boatman of the Underworld.

Cape Tainaro: Sanctuary dedicated to Poseidon

Cape Tainaro was home to a sanctuary dedicated to Poseidon, the god of the sea. Poseidon was worshiped under various epithets, including “Poseidon Tainarios,” as the god who controlled both the seas and earthquakes.

The temple served as a place of inviolable asylum, offering refuge to criminals and even escaped slaves. A story was recounted by Thucydides about the Spartans violating this asylum by killing helots (agrarian slaves) who had taken refuge there, an act believed to have brought divine retribution in the form of an earthquake.

The site also functioned as a “necromanteion,” or Oracle of the Dead, where Ancient Greeks would perform rituals to communicate with the spirits of their deceased ancestors, seeking guidance or prophecy.

A celebrated bronze statue of the poet and singer Arion, seated on a dolphin, was a prominent dedicatory offering at the temple of Poseidon. It honors the myth of Arion, who was rescued by a dolphin after being cast into the sea by pirates and brought safely to Cape Tainaron.

In medieval times, Tainaro became a notorious pirate base—with merchant ships carefully avoiding it—and during World War II, the Battle of Tainaro (March 1941) was fought off the coast between the British and Italian fleets.

Getting to Tainaro

The only way to get to Tainaro is by hiking along a path that many consider to be the most interesting of the “inner” Mani. It is accessible to all with no significant altitude differences and has a total length of about 1.4 miles. Starting from the village of Kokkinogia, it’ll probably take around fifty minutes to get to the lighthouse.

You will find the village of Kokkinogia at the end of the Areopolis-Tainaro road. The marked dirt path begins at the church of Agioi Asomatoi and passes by the beach of Aria, where you can see a Roman mosaic. The surrounding landscape is typical of Mani: thorn bushes, thyme, low vegetation, flint stones, and no shade—so be sure to wear a hat, apply sunscreen, and bring plenty of water. The views along the way to Tainaro will make it all worthwhile.

Ancient Greeks were big believers in aphrodisiacs and ancient love potions and used a variety of fruits, herbs, and other foods in their concoctions. The word “aphrodisiac” itself comes from the ancient Greek goddess of love, Aphrodite.

Those looking to harness the power of ancient Greek love potions don’t need to go on a quest to hunt down obscure ingredients. In fact, six of the most common Greek aphrodisiacs that have been used throughout the centuries can still be found today at your local supermarket.

Natural foods considered aphrodisiacs in Ancient Greece

1. Pomegranates

Pomegranates have long been lauded for their nutritional properties, as they include many nutrients and antioxidants.

Even back in Ancient Greece, the pomegranate fruit was considered nutritious, and it was also believed, in both ancient times and today, that the juice contains aphrodisiac properties.

The link between pomegranates and sexuality may come from the fact that Aphrodite herself is credited with planting the first ever pomegranate tree in Greek mythology.

2. Truffles

Dating as far back as the 1st century AD, this fungus found its way into the limelight as an aphrodisiac.

It is believed that truffles came into existence as a result of the combined action of water, heat, and the power of the god Zeus himself, as Zeus hurled a thunderbolt to Earth which landed close to an oak tree, producing the truffle.

The ancient Greek physician Galen claimed that the truffle, apart from imparting delicious flavor to any dish, can increase sexual prowess.

3. Figs

Figs belong to the category of the most nutritious fruits while at the same time they have at least nine recognized medicinal qualities. Along with grapes, figs were known to be one of the favorite fruit of Ancient Greeks.

Figs are rich in vitamins A, B1, and B2 and minerals such as calcium, iron, phosphorus, magnesium, sodium, and potassium among others. They are recognized as being good for our health for their many proven medicinal qualities.

The ancient Greeks linked figs to sexuality, possibly because the shape of the fruit resembles the shape of female genitalia.

4. Leeks

Similarly, leeks were probably considered an aphrodisiac in Ancient Greece because of their phallic shape.

In ancient Greece, leeks were eaten raw and whole or cooked. They provide tons of flavor to any meal.

Nowadays, people still believe that leeks are an aphrodisiac, as they are in the same family as onions and garlic, which have similar properties.

5. Garlic

At some point in time, people stopped believing that garlic was toxic and started consuming it to prevent illness and congestion, and of course, just because it is delicious.

In ancient Greece, people ate garlic nearly everyday. People began to believe that the spiciness of raw garlic made it a natural aphrodisiac.

Try making the Greek dish skordalia, and you’ll be sure to eat a considerable amount of garlic. It is a mixture of garlic and purée of potatoes, walnuts, almonds, or milk-soaked stale bread.

6. Legumes

Hippocrates, the father of medicine, prescribed legumes, such as lentils, as an essential part of the menu for men hoping to maintain their virility.

Hippocrates advised a variety of legumes to be consumed by the bowlful to those struggling with sexual dysfunction.

Lastly, the Greek philosopher Aristotle was a believer in the notion that lentils with the addition of saffron were essential in maintaining a man’s libido active and in top shape.