The vote in the House of Representatives on Wednesday to limit Donald Trump’s authority to continue his war in Iran will not bring that conflict to an end. But it does represent a symbolic setback for the U.S. president on an issue — the Middle East — that has become, both domestically and in foreign policy, the most painful stone in the shoe of his return to the White House. Meanwhile, the weeks go by and, with the peace deal with Tehran stalled, it seems clear that Washington has no idea how to extract itself from a quagmire of its own making.

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Since his return to the White House, Donald Trump has put into practice that old maxim that it’s better to ask for forgiveness than for permission — except that the president of the United States never apologizes. The order issued on Friday by a federal judge in Washington to remove the Republican’s name from the Kennedy Center (KC), the capital’s major center of music and opera that Trump renamed without permission, has left the cultural institution in a state of uncertainty after more than a year of political meddling from the White House.

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Rare is the day Washington residents do not wake up to a new jolt courtesy of U.S. President Donald Trump. And it is not only — though it is also — because of the war with Iran, his use of the press to poison public opinion, or his disrespectful posts on Truth Social. It is because of the unilateral renovations that Trump is undertaking in the U.S. capital, like a mayor with unlimited budget and power, like a Roman emperor or a king obsessed with a city.

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Let’s start with the proven facts: Disclosure Day is the most anticipated film of the summer. Its director and screenwriter, Steven Spielberg, revealed details about its plot this week on one of Stephen Colbert’s final shows: he says it tells the story of the theft by officials, “committed to the truth,” of all information held by the government “about UFOs and extraterrestrial visits,” and the system’s desperate attempts to prevent it being revealed.

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Three years and four months after Alejandro Oro and Romina Simondi resigned from their well‑paid jobs as accounting experts in Argentina and moved to Spain to boost their son’s chess career, Faustino Oro has inscribed his name in a very special chapter of chess history. He has earned the grandmaster title — more demanding than a black belt in judo — at 12 years, six months, and 26 days. He is the second‑youngest of all time, surpassed only by the U.S. player of Indian descent Abhimanyu Mishra, who set the record by two months.

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Last year, The Cut announced in an article written by journalist Cat Zhang that being bald was — finally — cool. “Just when it became normal to drop five figures on a thicker hairline, a new cultural vanguard rose up and said: “Fuck it, we bald,’” she asserted.

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