On June 1, Norma Jeane Mortenson would have turned 100. She died at the age of 36, on August 4, 1962, but her artistic alter ego, Marilyn Monroe, became a film legend. The Bombshell Blonde façade concealed a very harsh childhood during which she lived in as many as 12 foster homes, a torturous romantic life, and a career marked by artistic self-doubt and very poor health (she never carried a pregnancy to term).
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Tony Leung (Hong Kong, 63) enters the lobby of a Madrid hotel and brings with him an absolute sense of calm. The pace slows; you even get the impression the temperature has dropped slightly. Leung’s image in the film collective was sealed by his role in In the Mood for Love, Wong Kar-wai’s masterpiece that earned Leung the best actor award at the 2000 Cannes Film Festival. A man anchored in melancholy, unable to confront his unfaithful wife or to declare his love to his neighbor. That introspection turned Leung into one of the coolest men on the planet.
© FRANCIS TSANG (EL PAÍS)
On the first day of Cannes, artificial intelligence already sparked a debate between two jury members, Demi Moore and Paul Laverty. From that moment, the festival and the market running alongside it diverged in their reactions to the digital tool: while Cannes imposes limits on its use (even though one of its sponsors, which joined in 2026, is Meta, owner of Meta AI) and artists warn of its dangers, the market saw a rush of Chinese films made with AI and a handful of Western projects embracing its use. Filmmakers will be wary, but the industry has rushed to exploit AI.
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