A century has passed since the day that forever changed the life of Salvador Dalí: his second dismissal, this one permanent, from the Special School of Drawing, Sculpture and Printmaking at Madrid’s prestigious San Fernando Fine Art Royal Academy. In such a rigid, rule‑bound environment, Dalí felt out of place — and perhaps for that reason, this academic period has been overshadowed in scholarly writing. What dominates the narrative of those years in Madrid — which he described as the happiest of his life— are his escapades and artistic exchanges with Federico García Lorca, Maruja Mallo, and Luis Buñuel, his companions at the Residencia de Estudiantes, a pioneering cultural and academic residence, and a circle of mutual inspiration.
Ruth Benito
Fernando Anido
Inés Arcones
Brenda Valverde Rubio
Salvador Dalí and his classmates at the Special School of Painting, Sculpture, and Engraving (Academy of San Fernando). 1922–1923. GALA-SALVADOR DALÍ FOUNDATION
© Museo Nacional del Prado
© Archivo Residencia de Estudiantes
© ARCHIVIO GBB / Alamy Stock Photo (Alamy Stock Photo)
© FUNDACIÓN GALA - SALVADOR DALÍ
© Juan Vicens (Archivo Residencia de Estudiantes)
Urban VIII corresponded with Francisco de Quevedo, Alexander VII spent his leisure time as pope writing little poems in Latin, and John Paul II — who had studied St. John of the Cross in his youth — even published a collection of poems, Roman Triptych (2003), while still occupying the Chair of Saint Peter.
© Prudence Cuming Associates Ltd (Bacon Francis)
Few associate Gabriel García Márquez with the asphalt jungle of New York. Collective memory places the Nobel Prize-winner in the heat of Mexico, the hustle and bustle of Barranquilla or the elegance of Barcelona. But for Colombian graphic designer and author Iván Onatra, the Big Apple was a crucial — and at times, forgotten — stage in the scribe’s life. García Márquez’s time in the city that never sleeps takes on new life in Onatra’s bilingual design book Macondo York, in which he explores the writer’s love-hate relationship that lasted for six months, while he worked as a journalist for the Prensa Latina news agency.
© Daniel Mordzinski
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