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Homer toma el 'relevo' de su padre, Richard Gere: "Sabe lo que hace de una manera casi sobrenatural"

11 June 2026 at 12:36
Homer Gere junto a su padre, Richard Gere en el Festival de Cannes 2024

Durante años, Homer James Jigme Gere, más conocido como Homer Gere, tuvo un perfil más discreto y alejado del foco mediático. Nacido en el año 2000, fruto del matrimonio entre el actor Richard Gere y la actriz y modelo Carey Lowell, el joven prefirió centrarse en sus estudios de Psicología tras graduarse del instituto. Aunque ahora parece que, el primogénito del inolvidable protagonista de Pretty Woman, abraza el oficio familiar saltando a la interpretación, donde parece tener un futuro más que prometedor tras acaparar todas las miradas en Euphoria, cuya historia terminó recientemente.

Su propio padre, Richard Gere, no oculta el orgullo que le produce este debut, asegurando en una entrevista reciente con la revista People, que ya le puede "pasar el testigo" y retirarse de la interpretación. Según contó el veterano actor, Homer maneja de forma brillante la presión del apellido y posee un magnetismo natural: "Es realmente bueno. Sabe lo que hace de una manera casi sobrenatural".

Su gran 'trampolín': Dylan Reid en 'Euphoria'

El salto del mayor de los Gere a la industria televisiva se ha consolidado gracias a su participación en la tercera temporada de Euphoria en HBO. En este intenso y descarnada drama juvenil dirigido por Sam Levinson, el joven actor da vida a Dylan Reid, un famoso e influyente creador de contenido que se cruza en el camino de los protagonistas tras el salto temporal de la serie, e incluso compartiendo una escena picante con Sydney Sweeney.

Estar en pantalla junto a figuras de la talla de Sweeney o Zendaya ha sido la prueba definitiva para probar su valor como actor. Lejos de abrumarse, su interpretación le ha llevado a protagonizar multitud de titulares en los medios y a heredar de su padre el título de 'galán de Hollywood'. El propio Homer Gere ha revelado, en entrevistas recientes, que para preparar su papel en Euphoria el mejor consejero fue su progenitor, con quien conversa casi a diario para pulir los detalles de sus actuaciones.

Los próximos papeles en pantalla de Homer Gere

Sin embargo, su paso por la industria del entretenimiento audiovisual no ha terminado. Homer Gere ya tiene sobre la mesa nuevos proyectos que tendrán su estreno más pronto que tarde en pantalla.

El primero de ellos será junto al director Ryan Murphy. Gere participará en The Shards la nueva serie que llegará el próximo 5 de agosto a Disney+. La producción es la adaptación de la novela homónima escrita por Bret Easton Ellis (American Psycho). The Shards, sigue a un grupo de ricos adolescentes de los 80 que residen en Los Ángeles, cuyas perfectas vidas se verán sacudidas por una serie de asesinatos a estudiantes de instituto que asola la ciudad.

En la serie, donde compartirá pantalla con Kaia Gerber, —hija de la ex-pareja de su padre, Cindy Crowdford— Homer interpreta a Robert Mallory, el extraño chico nuevo que llega a la vez que los crímenes cometidos por The Trawler. De esta forma, el intérprete cambiará totalmente de registro para sumergirse en una atmosfera llena de intrigas en este intenso thriller.

También veremos a Homer —según adelantó su padre a People— en el nuevo largometraje dirigido por Oliver Stone, cuyo rodaje acaba de finalizar. De este último proyecto aún no se saben más detalles aunque promete ser otro de sus grandes éxitos.

Pietro Marcello: "Gabriele D'Annunzio es la prueba de que se puede escribir bien y ser un perfecto imbécil"

11 June 2026 at 06:19
El director italiano hurga en las raíces del fascismo en 'Eleonora Duse, la divina', la crónica desaforada de la gran diva italiana de finales del XIX y de Italia al borde del abismo Leer

El director italiano hurga en las raíces del fascismo en 'Eleonora Duse, la divina', la crónica desaforada de la gran diva italiana de finales del XIX y de Italia al borde del abismo

“No me he vuelto a lavar la cara desde este momento”: la traviesa indirecta de Oliva Wilde a Penélope Cruz

By: S Moda
11 June 2026 at 11:57

El próximo 26 de junio se estrenará en Estados Unidos ‘The invite’, la adaptación americana del aclamado filme español ‘Sentimental’ del director catalán Cesc Gay que ha dirigido Olivia Wilde y en el que los actores protagonistas son Penélope Cruz, Seth Rogen y Edward Norton. Así lo anunció ayer la productora A24 en sus redes sociales, donde en un bellísimo carrusel de imágenes se podían ver algunos fotogramas e instantes destacados de la película y su rodaje. En una de esas imágenes se puede ver un primer plano de las manos de Cruz, con unas características y larguísimas uñas, sujetando a las de la directora.

Seguir leyendo

© Randy Holmes (Disney via Getty Images)

Olivia Wilde en una de sus últimas apariciones televisivas, en el programa de Jimmy Kimmel.

Brazil: From the Vaccine Revolt to COVID-19 vaccination for babies

By: A A
11 June 2026 at 11:00

Instead of protesting and communicating with the people, the intermediate classes of Brazil have preferred to say amen to the government so as not to look bad.

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In my previous article, I pointed out a certain Brazilian social conformism that sometimes prevents us from dealing with major national problems without foreign pressure. In this one, I want to nuance this issue a bit, showing the importance of the intermediate classes between the government and the people.

Let’s start with the conformist aspect: since the advent of republican propaganda, the Brazilian people, which lived under Monarchy, had a reputation for being passive. In theory, the Republic is the government of the People, while the Monarchy is the government of the nobility. With these definitions, the simple fact that the Brazilian people are not enthusiastic about the Republic already makes them foolish. And since Brazil was the only monarchy in the Americas, surrounded by Spanish-speaking republics founded on Masonic and Enlightenment ideals of freedom, the Brazilian people were especially foolish. Until the last decade, we Brazilians looked at our Argentine neighbors, who were always banging pots and pans in front of the Casa Rosada, and lamented our passivity – as if the Argentine “critical spirit” had given them a good destiny.

In 1889, with a clumsy military revolt led by a monarchist marshal, the Republic was proclaimed in Brazil in spite of the will of the people. A great Brazilian historian, José Murilo de Carvalho (1939 – 2023), used the memory of a republican militant to give a title to his book about the first years of the Republic: Os Bestializados [The Bestialized Crowd]. The people watched the proclamation of the Republic bewildered, without understanding what was happening, thinking it was a military parade. And the common people – the vagrants, the prostitutes, the capoeira fighters – were overwhelmingly monarchist in the decades following the implementation of the Republic. The Abolition of slavery made the deposed Emperor loved above all by the poor blacks of Brazil.

According to what was stated in books and pamphlets, the Republic was supposed to be the apotheosis of the People, but the people didn’t care at all. It then became usual for the journalistic class to complain about the passivity of the Brazilian people. There was a major event that made the Brazilian people show their worth – and the illiterate protesters interviewed by journalists expressed themselves in these terms. This event was the Vaccine Revolt, which took place in Rio de Janeiro in 1904.

As José Murilo de Carvalho explains, this revolt has social causes that are different from the vaccine itself, or its side effects. There is an institution that is said to be specifically Brazilian: that of the law that sticks or doesn’t stick. The government can pass a law and the law “doesn’t stick.” In the case of the slave trade, which we saw in the previous article text, the government can even pass a law with the purpose of not applying it – the law “so that the Englishman can see.” In the case of the law that doesn’t stick, there is a resistance to the government that is diffuse, tacit, and anonymous. No one openly confronts the authority, nor does anyone take responsibility. The law simply “didn’t stick,” as if it were a given of nature, a plant that could have sprouted but didn’t. Everyone says “okay” to the State, but nobody obeys. Or they only obey a bit, for five minutes, “so that the Englishman can see.” And the ruler does nothing, because he doesn’t want to become unpopular.

This explains a lot about Brazilian public life to this day: Brazilians are used to seeing the government pass crazy laws, but they don’t worry until they see that the law sticks. An example of Brazilian disregard for the law is that, from 1894 to 2025, the inhabitants of the municipality of Rio Claro, São Paulo, were illegally buying and selling watermelons. In 1894, sanitary physicians were certain that watermelon transmitted yellow fever and, in Rio Claro, they managed to pass a law prohibiting the sale of watermelon. The law was so rejected by the public that people forgot about it, and only in 2025 did a city councilor take the initiative to repeal it.

In the case of the Vaccine Revolt, the government insisted on radically imposing a law that didn’t stick at all. As José Murilo de Carvalho recounts in Os Bestializados, the Jenner vaccine, against smallpox, had been administered in Brazil since 1801. In 1831, the Empire of Brazil made it mandatory for children in its capital, Rio de Janeiro. In 1884, the vaccine became mandatory for everyone throughout the Empire; at the end of 1889, shortly after the proclamation of the Republic, the government made it mandatory for all children, and in 1903 a series of decrees expanded the vaccination requirement to a number of categories. In 1904, the sanitary physician Oswaldo Cruz drafted a bill, leaked to the press, which decreed what we called a vaccination passport during the pandemic. Even to stay in hotels or to work as a domestic employee, it would be necessary to present proof of vaccination.

There were other important social components. The people were already bothered by the intrusion of the government’s sanitary physicians. Since 1903, they had been organizing brigades to inspect the hygiene and sanitation of the homes of the poor. During the inspection, the resident was forced to wait outside and then received orders to put tiles in the kitchen, or other things. This was offensive to the people.

As the Republic was incipient and poorly organized, the positivists, who had many members in the Army, wanted to stage another coup d’état. Thus, through public speeches and newspapers, they fueled this discontent. The inviolability of the home was very important and popular. In this vein, a politician even gave a speech saying that only a Messalina would bare her arms to the health agent, never the wives and daughters of respectable people. (Brazilians are not special connoiseurs of Roman history; Messalina’s name just became a slur.) According to José Murilo de Carvalho, the opinion of the positivist newspapers even reached the old black ladies, who couldn’t read but said that it was in the newspaper that the vaccine was a naughtiness. During the revolt, the vaccination rate plummeted: the smallpox vaccine was known by the public for long, but, with its politicization and effective imposition, it began to be rejected by those who formerly took it. In the end, the popular rebels were victorious, as Oswaldo Cruz did not insist on the bill.

We can assume, then, that the greatest Brazilian popular revolt was due to a rare conjunction between popular sentiment and the instigation of powerful middle-class leaders against a government action. If the positivists had not made the issue a battle cry, it is quite possible that Oswaldo Cruz’s vaccination impetus would have had the same fate as the anti-watermelon fury in Rio Claro. Between public power and the Brazilian people, there is a dynamic reminiscent of that of the King in The Little Prince, who only gave reasonable orders: he ordered the sun to rise early in the morning and the sun to set in the evening. In the case of an unreasonable order, we have a law that does not stick.

Balance

The problem with this dynamic is that the people, in the face of the government, are always in a reactive position, never demanding anything. Public infrastructure is not delivered, public employees who don’t show up, drug trafficking dominating the cities: everything stays the same.

On the other hand, the Argentine example shows that rebelling is no guarantee of anything. To ascertain whether Brazilians are especially peaceful, José Murilo de Carvalho compared the numbers of dead and wounded in the French popular revolts to those of the Vaccine Revolt and concluded that the latter is small potatoes compared to the French ones. Now, the French still break things for more random reasons. If Brazil wins the World Cup, Brazilians celebrate. If France wins the World Cup, the French set fire to cars. Certainly, peoples have different collective psychologies, and the Brazilian people are of a much more peaceful nature than the French and Argentine people. We even tend towards conformism, except when it is within our reach to offer passive resistance.

Comparison with the Russians

A Brazilian might pick up a Soviet humor book and identify with jokes against the government, such as “they pretend to pay us, we pretend to work.” There’s so much in common in spirit that this same joke appears in the mouth of the soccer player Vampeta: “they pretend to pay me, I pretend to play.” Contrary to what the translators of the jokes intend, this doesn’t mean that Brazil lives under a regime similar to the Soviet one, but that Brazilians have a disposition similar to that of Russians when dealing with the state. After all, Russians made jokes against the Tsar before making jokes against the Soviets; they are just less well-known because there wasn’t a global anti-Tsarist propaganda, but rather an anti-communist propaganda willing to publish Soviet jokes in various languages. The anecdotes show that, instead of breaking everything like the French or banging pots and pans in the Kremlin like the Argentinians, Russians drag their feet and tell jokes, like Brazilians. I just don’t know if they have “laws that don’t stick.”

The Communist Revolution itself suggests a greater similarity between Russia and Brazil than between Russia and France. If Brazilian republicans were frustrated with the Proclamation because they had a romantic and Frenchified idea of ​​the people, Lenin, in Russia, did not nurture such expectations: he created the theory of revolution carried out by a vanguard. In Italy, Mussolini created a right-wing Leninism and also had spectacular success. It would be easier to conclude that the idealization of the people is a particularity of peoples prone to romanticism (French and Germans) and should not be universalized.

The problem in Brazil is not that the people don’t break everything nor bang pots and pans. The problem in present-day Brazil is, firstly, the poor quality of its elites, and secondly, the omission of the intermediate classes. Let’s take a concrete case: mandatory Covid vaccination for children (and babies) from 6 months of age. This is a unique case in the whole world, and can only be explained by the absolute imbecility of the Brazilian political elites. Did this law stick? No. Most parents don’t want to give this vaccine to their kids; schools, even public ones, generally don’t require it; public health centers, due to lack of demand, don’t order more vaccines, so the crazy parent who wants to give this thing to his child can’t even get it – and the TV, aligned with the government, denounces it.

Instead of protesting and communicating with the people, the intermediate classes of Brazil have preferred to say amen to the government so as not to look bad (even if they don’t get the vaccine, nor give it to their children). That’s where the biggest problem lies.

El Pingüino tendrá mucho menos protagonismo en 'The Batman 2', pero Colin Farrell advierte: "Será más aterradora"

11 June 2026 at 09:30

Colin Farrell ha sido el responsable que ha dado a conocer el número exacto de escenas en las que aparece su personaje en la secuela de The Batman. Como bien sabrás, el actor interpretó al Pingüino en la película de 2022 que fue clave al suponer el pistoletazo de salida de este universo. Tras el éxito de la apuesta cinematográfica, el villano volvió en la aclamada serie de HBO Max, la cual causó sensación en los Premios Emmy.

Como cabía esperar, Matt Reeves confirmó que el personaje volverá en The Batman 2, una cinta que se encuentra en pleno proceso de rodaje. Eso sí, Colin Farrell parece que tendrá un papel menor en esta ocasión. En una entrevista, confesó que había leído el guion y lo describió como oscuro y aterrador. Lo más sorprendente es que aclaró que solo aparecerá en un par de escenas de la secuela.

Matt Reeves apuesta por nuevos protagonistas en la próxima entrega de 'The Batman'

Así lo explicaba:

Pude leerlo de principio a fin y es realmente magnífico. Creo que Matt Reeves es brillante y escribió una obra realmente oscura. Será más aterradora. No solo psicológicamente profunda y llena de matices, sino también con mucha emoción. Es una especie de obra maestra del género, de verdad. Solo estoy en dos escenas, lo cual es genial porque significa que puedo disfrutar del resto de la película.
Colin Farrell, sobre el próximo estreno de la secuela de 'The Batman'

Las afirmaciones de Colin Farrell confirman lo pequeño que será el papel de su personaje esta vez, especialmente si se compara con su relevancia en The Batman y con el hecho de haber sido el protagonista de su propia serie de televisión. En su ausencia, se espera que otros miembros del reparto de The Batman 2, sobre todo los nuevos, asuman roles más importantes.

Sebastian Stan, Scarlett Johansson, Charles Dance, Brian Tyree Henry y Sebastian Koch son algunos de los nuevos fichajes que Matt Reeves confirmó. Aunque nadie involucrado en la película lo ha confirmado de manera definitiva, se rumoreó que Sebastian Stan interpretará a Dos Caras. Por su parte, Scarlett Johansson daría vida a Gilda Dent, la mujer de Harvey, mientras que Charles Dance interpretará a Christopher Dent, su padre.

En caso de que esto se confirme, la familia Dent al completo probablemente ocupe la mayor parte de la atención en su rol como enemiga de Bruce Wayne. Entre otras cosas, esto explicaría la menor participación del Pingüino en la próxima entrega. Por su parte, dado el éxito que se especula tendrá The Batman 2, es probable que este no sea el fin de la franquicia que Matt Reeves ha estado construyendo. El estreno de la secuela está fijado para el 1 de octubre de 2027.

© Difoosion

'El Pingüino' es la serie que expande el universo de 'The Batman' que fue presentado por Matt Reeves

Can Aging Cells Be Made Young Again? New Human Trial Seeks Answers

11 June 2026 at 02:15
A genetic disorder of the nervous system
A genetic disorder of the nervous system. Credit: NIH Image Gallery / Flickr / CC BY-NC 2.0

A highly anticipated gene therapy human trial is now testing whether scientists can make aging cells behave like younger ones, a development that could open a new chapter in regenerative medicine. The study, focused on keeping cells young through a process known as partial reprogramming, has treated its first patient with a form of glaucoma that can lead to blindness.

The trial is being conducted by Life Biosciences, a biotechnology company based in Boston. Researchers are testing a gene therapy designed to activate three specific genes inside cells. The goal is to restore some of the traits of younger cells without changing their identity or normal function.

Scientists have long been interested in the possibility of reversing some effects of aging at the cellular level. The new trial marks one of the first major efforts to test that idea in people.

Scientists test partial reprogramming in humans

Glaucoma was chosen as the first target because the disease damages neurons in the optic nerve, which carries visual information from the eye to the brain. Once injured, these nerve cells normally do not regenerate. Researchers hope the treatment will encourage damaged neurons to repair themselves and restore lost function.

The approach is based on a concept called partial reprogramming. Scientists discovered years ago that four genes could transform adult cells into stem-cell-like cells. While that breakthrough created powerful research tools, it also raised concerns because fully reprogrammed cells lose their specialized roles.

The new strategy takes a more controlled approach. Instead of using all four genes, researchers activate only three. The aim is to roll back some signs of aging while allowing cells to remain the specialized cells they were meant to be.

Mouse studies sparked interest

Interest in the field grew after a 2020 study led by geneticist David Sinclair. His team reported that activating the three genes in mice with damaged optic nerves promoted nerve regeneration and improved vision. The treatment also appeared to reverse vision loss in older mice and animals with glaucoma.

Scientists have launched the first human trial of a gene therapy designed to make aging cells act young again. The treatment uses three genes to partially reprogram cells and is being tested in glaucoma patients. pic.twitter.com/A7nVv2vmdi

— Tom Marvolo Riddle (@tom_riddle2025) June 10, 2026

Those findings generated excitement among scientists studying aging and longevity. They suggested that some effects of aging might not be permanent and that cells may retain the ability to recover youthful functions under the right conditions.

Since then, Life Biosciences has carried out additional studies in rodents and monkeys. According to the company, those experiments did not reveal serious safety problems. The human trial is now intended to determine whether the treatment can be used safely in patients.

Safety concerns remain

Although several animal studies have reported promising results, some researchers worry that changing a cell’s biological age could have unintended consequences. One concern is that reprogrammed cells might begin dividing uncontrollably, increasing the risk of cancer.

Matt Kaeberlein said the technology offers enormous potential if it can be shown to work safely in people. At the same time, he noted that the field remains in its early stages and that researchers must carefully watch for serious side effects.

Experts say the eye may be one of the safest places to begin testing the approach. Any unexpected effects are likely to remain localized, reducing the risk of widespread damage elsewhere in the body.

A key milestone for longevity research

Researchers view the trial as an important milestone for a field that has largely been confined to laboratory and animal studies. Success could eventually lead to treatments for diseases linked to aging and tissue degeneration. Failure, however, could reinforce concerns about the risks of altering cellular identity.

For now, scientists are watching closely as the first participants receive a therapy designed to answer one of medicine’s most ambitious questions: Can aging cells truly be persuaded to act young again?

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