Taiwanese politician Cheng Li-wun, who is notably tall, can be heard approaching with the click of her heels and long strides down the corridor of the headquarters of the Kuomintang (KMT), the main opposition party in Taiwan. In April, during a visit to Beijing, she looked the Chinese president, Xi Jinping, in the eye. In the photograph that captured their meeting in the Great Hall of the People they are not smiling; neither do they appear distant. Their expressions are neutral, perhaps waiting to see how the coming years unfold.

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Tony Leung (Hong Kong, 63) enters the lobby of a Madrid hotel and brings with him an absolute sense of calm. The pace slows; you even get the impression the temperature has dropped slightly. Leung’s image in the film collective was sealed by his role in In the Mood for Love, Wong Kar-wai’s masterpiece that earned Leung the best actor award at the 2000 Cannes Film Festival. A man anchored in melancholy, unable to confront his unfaithful wife or to declare his love to his neighbor. That introspection turned Leung into one of the coolest men on the planet.

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