Iris, the Greek goddess of the rainbow, also served as a messenger of the gods. Although now a little known member of the pantheon, Iris was a prominent figure in many ancient myths and is even a character in Rick Riordan’s “Lightning Thief” book series.

The Greek goddess was the daughter of Thaumas, whose name means “miracle” or “wonder” in Greek, an old and powerful sea god who was linked to the wonders of the sea, and Elektra, a sea-dwelling nymph.

Her sisters were the terrifying Harpies Ocypete and Aello—fearsome creatures that were half-women, half-birds, who represented the storm winds.

During the Titanomachy, when the Olympian gods fought against the Titans, the old gods, Iris became the messenger for the Olympians and her sister, Arke, delivered messages for the Titans. Arke betrayed the Olympian gods and became the her sister’s rival.

From this point on, Iris served as messenger to the gods, making her the female counterpart of Hermes, who is more widely known for the role.

Iris, Greek goddess of the rainbow and messenger to the gods

While Iris is found throughout Homer’s Iliad, an epic poem that details the story of the Trojan War, and serves as a divine messenger, she is not mentioned in the Odyssey, Homer’s later poem which tells the story of Odysseus’ return home from the war.

Hermes is the messenger of the gods in the Odyssey.

In addition to her role as messenger, Iris is known to serve the gods their nectar from a large chalice she is often depicted holding.

Much like a rainbow, Iris was linked to the sea and sky and serves as a link between the gods and humanity.

In myth, she frequently travels to the ends of the world using the speed of the wind on her wings and even ventures to the depths of the sea and through the underworld, often taking the trips to deliver important messages.

In antiquity, when one saw a rainbow, it was also believed that they were witnessing Iris traveling across the world or through the sea to deliver a divine message to a mortal.

The goddess of the rainbow was described and depicted either as a rainbow or as a stunningly beautiful winged woman, often carrying a staff with wings, as well.

Along with her winged staff, Iris was said to carry water from the River Styx, or the river that led to the underworld, at the command of Zeus. She was to use this water to put anyone who lied to her to sleep. This was the custom when gods made solemn oaths to each other.

In some myths, Iris is considered one of the most beautiful of all of the Greek goddesses.

She conceived a child with Zephyrus, one of the Anemoi, or the Greek gods of the winds. The child was Pothos, the god of sexual desire and longing.

Despite her prominent role as divine messenger, there were no known temples built to Iris, and experts suspect there was little cult activity to the goddess, apart from records of Delians offering cakes made of wheat, honey, and figs to her.

Although described as extremely beautiful, there were also very few statues created depicting Iris. She was frequently portrayed in vase paintings, however. One of the few ancient Greek sculptures of Iris is found on the west pediment of the Parthenon.

Few figures in late antiquity present as compelling a historical debate as Julian the Apostate’s attempt to restore the Greek gods in opposition to Christianity in the Roman Empire.

During his brief but highly consequential reign in the fourth century AD, the Roman Empire stood at a profound religious crossroads. For a short period, Julian attempted to slow the empire’s accelerating Christianization, launching a sweeping effort to revive the ancient Olympian pantheon and return Rome to its traditional pagan practices. His sudden death on the battlefield has led historians to debate how dramatically the cultural trajectory of Western civilization might have shifted had his reforms endured.

Julian was born into the heart of the Constantinian dynasty, a family that had only recently converted to Christianity. Nonetheless, he became the last Roman emperor to openly support and worship the traditional Greek gods. He ruled for only about two years from 361 to 363 AD, but he acted with urgency and purpose. Julian the Apostate initiated an extensive program of philosophical and religious reform, aiming to reverse the Christian expansion advanced by his predecessors. To the growing Christian population, he was seen as a traitor to the new religious order, but to those who still admired the intellectual and cultural legacy of the classical world, he appeared as a philosopher-king attempting to restore an older vision of Rome.

Julian the Apostate’s early life

Julian did not experience the typical sheltered upbringing of an imperial heir. He grew up constantly looking over his shoulder, surviving political purges that eliminated many members of his own family. Although he was raised in a strict Christian environment under the supervision of powerful bishops, he is often understood to have developed a private intellectual attraction to classical texts and traditions associated with the ancient world.

His life took a decisive turn when he went to study in Athens. There, he was secretly initiated into the Eleusinian Mysteries, an experience that deeply shaped his philosophical outlook and strengthened his commitment to rejecting Christianity in favor of Neoplatonism. This forced dual existence helped form a uniquely strategic mindset. He became familiar with the inner workings of the Church, knowledge he later leveraged in support of his own religious and philosophical aims. By the time his troops in Gaul unexpectedly proclaimed him emperor, Julian was convinced that the gods themselves had chosen him to restore the ancient order.

Julian the Apostate as Emperor and the worship of the Ancient Greek gods in the Roman Empire

When he finally took power, Julian did not launch the kind of widespread, violent persecutions often associated with earlier periods of religious conflict. Instead, he pursued a more calculated cultural strategy. His approach focused on weakening Christian influence within imperial institutions while strengthening traditional religious structures. Julian the Apostate reduced the privileges and state support enjoyed by Christian clergy and redirected resources and prestige toward the priesthood of the traditional Greco-Roman religion centered on the Greek gods.

In a particularly controversial move, he restricted Christians from teaching classical literature. His reasoning was that those who rejected the traditional religious framework of Homer and Hesiod should not profit from instructing it. At the same time, Julian sought to make traditional religion more socially competitive by encouraging pagan priests to adopt public charitable functions, including aid for the poor and the establishment of hospitals—areas in which Christianity had been especially successful in gaining support. He appears to have believed that traditional worship had declined not because of its inherent weakness but because its institutions had failed to match the organizational and charitable presence of Christianity.

In practice, many historians argue that this cultural and intellectual strategy posed a different kind of challenge to early Christianity than outright violence. While persecution could strengthen Christian identity through martyr narratives, Julian the Apostate’s policies instead aimed to limit the social structures that supported its continued expansion while restoring the worship of the Ancient Greek gods within the broader Greco-Roman religious tradition.

Unfortunately for his beliefs, that grand vision of such a revived Greco-Roman empire came to an abrupt end in the arid regions of Persia. During a military campaign, Julian was struck in the side by a spear, cutting his reign tragically short. Ancient sources and later traditions continue to debate the circumstances of his death, with some attributing the blow to a Persian soldier and others speculating—without evidence—that it may have come from within his own ranks. The true origin remains uncertain.

A well-known tradition holds that, as he lay dying, Julian the Apostate is said to have declared, “Thou hast conquered, O Galilean,” acknowledging the perceived triumph of Christianity. Whether or not he actually spoke these words, his brief reign left a lasting imprint on Roman and Western history. His efforts to restore the Ancient Greek gods within the Roman world continue to be discussed by historians as a striking moment in the empire’s religious transformation. Even in modern Greek cultural memory, echoes of this tension can still be felt in the broader contrast between the rational legacy of ancient philosophy and the spiritual tradition of Orthodox Christianity.