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Massive Roman Defensive Wall Unearthed at Ancient Amathous in Cyprus

6 June 2026 at 18:53
Collapse layer east of the Late Roman wall
Collapse layer east of the Late Roman wall. Credit: Department of Antiquities, Cyprus

Archaeologists in Cyprus have uncovered a massive Late Roman wall at the ancient city of Amathous that may have formed part of a defensive system protecting the summit of the acropolis.

The structure, discovered on the site’s Western Terrace, offers new evidence of efforts to fortify one of the island’s most important ancient urban centers during the Late Roman period.

Details of the defensive wall

The wall reaches up to 2 meters (6.6 feet) in thickness and was built using large limestone ashlar blocks, smaller stones, and clay mortar. Excavation evidence shows that it underwent at least two construction phases, suggesting it remained an important feature of the acropolis over time.

Researchers also uncovered a floor surface associated with the wall, fallen architectural blocks, roof tiles, and mudbrick fragments from a collapsed structure. Together, the finds provide new insight into construction methods and defensive planning at Amathous during the final centuries of Roman rule.

The discoveries were made during the second excavation season of the French Archaeological Mission of Amathous, held from March 30 to April 24, 2026. The project is directed by Dr. Anna Cannavo and focuses on the Western Terrace of the Acropolis.

Expanded excavations reveal a substantial wall

The wall was first identified during excavations in 2025 following a geophysical survey conducted in 2024. During the 2026 season, archaeologists expanded Trench 1 and uncovered a much larger section of the structure.

The wall runs parallel to the natural edge of the terrace, with its southern section turning slightly toward the west. Its eastern face was constructed from large limestone ashlar blocks, while the interior was packed with smaller rough stones bonded with clay.

Researchers identified evidence for at least two building phases. The original wall measured about 135 centimeters (4.4 feet) in thickness. It was later strengthened by adding a second row of limestone blocks and filling the space between the two walls with stone rubble.

Foundations and associated floor date to the Late Roman period

A small trench excavated along the eastern side of the wall exposed its foundations and revealed a floor directly connected to the structure. Part of the floor was paved with reused roof tiles laid over a gravel bedding.

Excavation evidence indicates that both the wall and the floor date to the Late Roman period. East of the structure, archaeologists uncovered destruction deposits containing fallen ashlar blocks, roof tiles, and mudbrick fragments from the building’s upper portions.

Findings highlight the strategic importance of the Acropolis

Iron Age terracotta figurines and pottery
Iron Age terracotta figurines and pottery. Credit: Department of Antiquities, Cyprus

A second excavation area, known as Trench 3, was opened at the northern end of the terrace. Although no architectural remains were found there, archaeologists recovered a rich collection of Iron Age artifacts, indicating earlier activity in the area.

Researchers believe the newly discovered wall formed part of a defensive system protecting the summit of the acropolis and the basilica that had replaced the sanctuary of Aphrodite, one of the most important religious centers in ancient Cyprus.

Future excavations will investigate the full extent of the fortification and determine whether the Late Roman remains were built over earlier structures, helping researchers better understand the long-term development of Amathous.

Iris, the Greek Goddess of the Rainbow

6 June 2026 at 05:01
Iris Greek goddess rainbow
“Iris” by John Atkinson Grimshaw. The Greek goddess of the rainbow is often depicted with wings. Credit: Public Domain

Iris, the Greek goddess of the rainbow, also served as a messenger of the gods. Although now a little known member of the pantheon, Iris was a prominent figure in many ancient myths and is even a character in Rick Riordan’s “Lightning Thief” book series.

The Greek goddess was the daughter of Thaumas, whose name means “miracle” or “wonder” in Greek, an old and powerful sea god who was linked to the wonders of the sea, and Elektra, a sea-dwelling nymph.

Her sisters were the terrifying Harpies Ocypete and Aello—fearsome creatures that were half-women, half-birds, who represented the storm winds.

During the Titanomachy, when the Olympian gods fought against the Titans, the old gods, Iris became the messenger for the Olympians and her sister, Arke, delivered messages for the Titans. Arke betrayed the Olympian gods and became the her sister’s rival.

From this point on, Iris served as messenger to the gods, making her the female counterpart of Hermes, who is more widely known for the role.

Iris, Greek goddess of the rainbow and messenger to the gods

While Iris is found throughout Homer’s Iliad, an epic poem that details the story of the Trojan War, and serves as a divine messenger, she is not mentioned in the Odyssey, Homer’s later poem which tells the story of Odysseus’ return home from the war.

Hermes is the messenger of the gods in the Odyssey.

In addition to her role as messenger, Iris is known to serve the gods their nectar from a large chalice she is often depicted holding.

Much like a rainbow, Iris was linked to the sea and sky and serves as a link between the gods and humanity.

vase
Iris shown on pottery from the 5th century BC. Credit: Public Domain

In myth, she frequently travels to the ends of the world using the speed of the wind on her wings and even ventures to the depths of the sea and through the underworld, often taking the trips to deliver important messages.

In antiquity, when one saw a rainbow, it was also believed that they were witnessing Iris traveling across the world or through the sea to deliver a divine message to a mortal.

The goddess of the rainbow was described and depicted either as a rainbow or as a stunningly beautiful winged woman, often carrying a staff with wings, as well.

Along with her winged staff, Iris was said to carry water from the River Styx, or the river that led to the underworld, at the command of Zeus. She was to use this water to put anyone who lied to her to sleep. This was the custom when gods made solemn oaths to each other.

iris greek goddess rainbow
One of the few sculptural depictions of Iris, the Greek goddess of the rainbow, on the west pediment of the Parthenon. Credit: Public domain

In some myths, Iris is considered one of the most beautiful of all of the Greek goddesses.

She conceived a child with Zephyrus, one of the Anemoi, or the Greek gods of the winds. The child was Pothos, the god of sexual desire and longing.

Despite her prominent role as divine messenger, there were no known temples built to Iris, and experts suspect there was little cult activity to the goddess, apart from records of Delians offering cakes made of wheat, honey, and figs to her.

Although described as extremely beautiful, there were also very few statues created depicting Iris. She was frequently portrayed in vase paintings, however. One of the few ancient Greek sculptures of Iris is found on the west pediment of the Parthenon.

Ancient Greco-Roman Cemetery Discovered in Egypt’s Nile Delta

6 June 2026 at 00:01
Greco-Roman era cemetry found at Tell Kom Aziza in Egypt's Nile Delta
Greco-Roman era cemetry found at Tell Kom Aziza in Egypt’s Nile Delta. Credit: Egyptian Ministry of Tourism and Antiquities

Egyptian archaeologists have uncovered part of an ancient cemetery from the Greco-Roman period at Tell Kom Aziza in Egypt’s Nile Delta, offering fresh insight into one of the region’s most historically layered sites. The site sits in Beheira Governorate and spans multiple historical periods stretching back thousands of years.

The Egyptian archaeological mission, working under the Supreme Council of Antiquities, found a wide range of burial types during excavations. Some bodies were placed directly in simple earth pits.

Others were buried in mud brick-framed pits, painted plaster coffins, or barrel-shaped pottery coffins. The barrel-shaped pottery coffin was among the most common burial types during the Ptolemaic era.

Tourism and Antiquities Minister Sherif Fathy said that the site holds value far beyond its burial remains. He described it as a window into settlement patterns, daily life, and how people interacted with their environment over millennia.

Burial diversity points to centuries of ritual evolution

Secretary-General of the Supreme Council of Antiquities Hisham El-Leithy said that early analysis of human remains pointed to a notable variety in burial practices. Some graves were individual, while others were collective.

Burial orientations ran along both north-south and east-west axes. Hand positions ranged from resting at the sides to the crossed-arms “Osirian” pose on the chest.

Artefacts retrieved from Greco-Roman era cemetry at Tell Kom Aziza in Egypt's Nile Delta
Artefacts retrieved from the Greco-Roman era cemetry at Tell Kom Aziza in Egypt’s Nile Delta. Credit: Egyptian Ministry of Tourism and Antiquities

El-Leithy added that studying the archaeological layers confirmed the Greco-Roman cemetery was built over earlier settlement levels. Artifacts trace human activity at Tell Kom Aziza from the Old Kingdom through the New Kingdom, the Late Period, and into the Greek and Roman eras.

Mohamed Abdel Badie, head of the Egyptian Antiquities Sector, said that excavations produced a broad range of everyday artifacts. These included pottery and stone vessels, bread molds, multi-purpose stone tools, ovens, and storage jars.

Large quantities of fish, bird, and animal bones were also recovered, offering clues about the diet and daily habits of the site’s ancient residents.

Wild boar burials found at Egypt’s Greco-Roman cemetery

Among the more unusual finds, mission chief and Beheira Antiquities Director Khaled Abdel Ghani Farhat reported the discovery of complete wild boar burials within one of the archaeological layers.

Pottery vessels from cemetry at Tell Kom Aziza in Egypt's Nile Delta
Pottery vessels from the cemetery at Tell Kom Aziza in Egypt’s Nile Delta. Credit: Egyptian Ministry of Tourism and Antiquities

He said that this is rare at ancient Egyptian funerary sites, given the pig’s symbolic association with the god Set. The find may suggest the boar played an economic or livelihood role at the site during a specific period of use.

Farhat said that the findings confirm Tell Kom Aziza is more than a burial ground. It is a detailed archaeological record of human life across successive historical eras. Further excavation seasons are expected to uncover more of what the site still holds.

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